A Quote by Gwyneth Paltrow

After I had the kids, I took a break from work, and all my creativity went into my kitchen. I like experimenting. — © Gwyneth Paltrow
After I had the kids, I took a break from work, and all my creativity went into my kitchen. I like experimenting.
My kitchen is my baby. I don't have kids, so cooking is sort of like my child. Renovating my kitchen has allowed me to channel my creativity the way parents work on a nursery. The centerpiece is my vintage 1950s Wedgewood stove.
Some women work while they are pregnant, but not me. That was a choice I had made. That's when I took a break. Men can work at whatever stage they are; whether they turn daddy, they still have their own thing. But women can't afford that because by being mothers, they have to be there for their kids.
"Snapped" happened maybe like two months after I released the mixtape. I just like took a break from recording and that was the first song I wrote and recorded after the mixtape.
I had been acting from a very young age and also performing with a dance troupe, the Kalakshetra Dance Troupe, from city to city. I needed a break. After marriage I took time off. That break lasted 24 years!
I'm a single parent, and I just found that it was too difficult to manage raising my kids and doing the traveling involved in making movies. So I took a little bit of a break. And the little bit of a break turned into a longer break, and then I found that I really didn't miss it.
My best work is always done... when I'm experimenting. If I stop experimenting I feel it just becomes a drudgery.
I'm a work horse. I like to work. I always did. I think that there is such a thing as energy, creation overflowing. And I always felt that I have this great energy and it was bound to sort of burst at the seams, so that my work automatically took its place with a mind like mine. I've never had a day when I didn't want to work. I've never had a day like that. And I knew that a day I took away from the work did not make me too happy. I just feel that I'm in tune with the right vibrations in the universe when I'm in the process of working. ... In my studio I'm as happy as a cow in her stall.
I've written in every imaginable location; a repurposed closet, the kitchen table, the bleachers while my kids had basketball practice, the front seat of the car when they were at soccer. In airports. On trains. In the break room when I was supposed to be wolfing down dinner. In the back of classrooms when I was supposed to be paying attention.
I started writing at the kitchen table after midnight. It took ten months to finish that first book; I sent it to a publisher and I got some kind of prize, so it was like a dream - I was surprised to find it happening.
Two hundred years ago, we were all busy farming and we all had a role to play. The home was a unit of production. We made food and all the things we needed, we took care of our kids and were connected to purpose in our evolution. When the Industrial Revolution came along, it took away a lot of the work the men had done.
Mom's eyes held yours for a moment. 'I don't like or dislike the kitchen. I cooked because I had to. I had to stay in the kitchen so you could all eat and go to school. How could you only do what you like? There are things you have to do whether you like it or not.' Mom's expression asked, What kind of question is that? And then she murmured, 'If you only do what you like, who's going to do what you don't like?
I took a break from acting for a little bit, came back, and didn't know how it was going to be, but I had so much fun. I really had, like, a reinvention, a renewal.
I was accepted to multiple fashion schools. But I had two kids when I was a teenager. My kids' mom already had two kids when she was still in high school. So I had to be in the streets early. Instead of going to fashion school, I took the street route.
It's like a kitchen, acting. Put a chef in a kitchen and they will have different recipes. Whatever your recipe, what works for you won't work for another.
I was experimenting with ways of creating edible objects from digital content, and I was working to three criteria: 1. They had to be delicious. 2. They had to be personalized. 3. They had to fit through a letterbox or in a mailbox. After much experiments, Boomf! There it was: photo marshmallows.
It's only because I feel like such a philistine spending all that time in hair and makeup that I started to knit. I used to spend that time studying Italian and French. Then after I had two kids, my brain turned to mush and I took up knitting.
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