A Quote by Gyles Brandreth

Gazing at the typewriter in moments of desperation I console myself with three thoughts. Alcohol at six, dinner at eight, and to be immortal you've got to be dead. — © Gyles Brandreth
Gazing at the typewriter in moments of desperation I console myself with three thoughts. Alcohol at six, dinner at eight, and to be immortal you've got to be dead.
For many years, I was a really heavy drinker, but people don't know about that because I'm by myself all the time. Recently, I didn't drink for eight or nine months, and I learned that alcohol was quadrupling the embarrassing moments - those moments when you're drunk and you say something you remember the next morning and feel embarrassed about.
I’m going to kill myself. I should go to Paris and jump off the Eiffel Tower. I’ll be dead. you know, in fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or wait a minute. It -- with the time change, I could be alive for six hours in New York but dead three hours in Paris. I could get things done, and I could also be dead.
The greatest part of each day, each year, each lifetime is made up of small, seemingly insignificant moments. Those moments may becooking dinner...relaxing on the porch with your own thoughts after the kids are in bed, playing catch with a child before dinner, speaking out against a distasteful joke, driving to the recycling center with a week's newspapers. But they are not insignificant, especially when these moments are models for kids.
I got my first instrument at Christmas when I was three or four. My dad and mom got me a mandolin. It was the only instrument that fit me because I was so small. I went straight from that into drums when I was six and then started playing guitar when I was seven or eight.
I got into politics when I was eight years old. Six years now. And I got involved because I started listening to talk radio. It goes back to one event. The Democrats filibustered something in the Senate when I was eight years old. I don't remember what it was on and I didn't honestly care when I was eight years old. I cared about the history and the Senate rules.
I got my first instrument for Christmas when I was three or four years old. My parents got me a mandolin because it was the only instrument that would fit me because I was so small. I went straight from that into the drums when I was six, and then I started playing guitar when I was seven or eight.
You can have an ankle or shoulder injury, and in six or eight months, you're healed. But if the heart stops for a few moments, that's it.
I publish six books a year now, which is very exciting. But it keeps me into my typewriter at all times! Now that my children have grown up, I'm with my typewriter 20 hours a day.
The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation. From the desperate city you go into the desperate country, and have to console yourself with the bravery of minks and muskrats. A stereotyped but unconscious despair is concealed even under what are called the games and amusements of mankind. There is no play in them, for this comes after work. But it is a characteristic of wisdom not to do desperate things.
My son was about five or six months old, and he was ill, and I was sent to New York to interview three people back to back. I got home, and I saw my baby. He had been very ill, and he was on three kinds of antibiotics. I'd been away for eight days. I looked at him and thought, 'What am I doing? I'm a terrible mother and a terrible journalist.'
If I had to rate myself between one and 10? If you're a gingerist and like ginger guys, I guess I'm a seven, with make-up on maybe an eight. If you're not a gingerist, I'm probably a six, six and a half.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
Alcohol doesn't console, it doesn't fill up anyone's psychological gaps, all it replaces is the lack of God.
I saw the yearbook picture. There was six of them! I ain't have six friends in high school, I don't have six friends now! That's three on three with a half court.
I did a play called 'On Golden Pond' in a dinner theater in Maine and then went to New York for a talent competition having put together a three-man juggling routine and some one-liners and I got myself an agent from that
I did a play called 'On Golden Pond' in a dinner theater in Maine and then went to New York for a talent competition having put together a three-man juggling routine and some one-liners and I got myself an agent from that.
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