A Quote by Gyles Brandreth
I mean, I am relatively pleased with myself and the world. But I don't assume that I'm liked.
Related Quotes
My importance to the world is relatively small. On the other hand, my importance to myself is tremendous. I am all I have to work with, to play with, to suffer and to enjoy. It is not the eyes of others that I am wary of, but of my own. I do not intend to let myself down more than I can possibly help, and I find that the fewer illusions I have about myself or the world around me, the better company I am for myself.
I am a reader. I am a writer. People assume I do these things to escape. You couldn't be more right. I'm escaping a world I don't like. A world I have no control in. In this world, I am nothing. I am a color, a height, a weight, a number. But in the world of books and writing, I am amazing. I am powerful. I am different. People are better. Worlds are endless. Change is possible. Life is manageable.
I am pleased though that there's a possibility of a diplomatic solution [in Syria]. I remain somewhat skeptical, but I am pleased that it's a possibility and I think people like myself who've been arguing for delaying this bombing, have allowed this diplomatic possibility to occur.
I think it was Duke Ellington who once said that we're always most pleased with our current record. I mean, you have to assume that you learn from one, and you do something better next time.
I am astonished, disappointed, pleased with myself. I am distressed, depressed, rapturous. I am all these things at once and cannot add up the sum.
My scientific qualifications are relatively scant. I like science. I try really hard to educate myself about it, but in the end, if something has to go 'boom,' and it would probably only go 'fwoosh,' I am relatively unconcerned about that, which is a sin, but not, I think, a grave one.
I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you.
If I am not pleased with myself, but should wish to be other than I am, why should I think highly of the influences which have made me what I am?
I am astonished, disappointed, pleased with myself. I am distressed, depressed, rapturous. I am all these things at once, and cannot add up the sum. I am incapable of determining ultimate worth or worthlessness; I have no judgment about myself and my life. There is nothing I am quite sure about. I have no definite convictions - not about anything, really. I know only that I was born and exist, and it seems to me that I have been carried along. I exist on the foundation or something I do not know.
But in the act of attempting to imitate I discovered that I had a voice of my own. Whether I liked it or not was another matter. I found that I was my best or that I pleased myself most or came closest to my goals when I was tapped into something autobiographical.
If the work is pure then you have to think it could be understood. If it is not understood it doesn't mean that your work is not accessible. It doesn't worry me, but, of course, I would be pleased if people liked my work.
What does it mean to know and experience my own “nothingness?” It is not enough to turn away in disgust from my illusions and faults and mistakes, to separate myself from them as if they were not, and as if I were someone other than myself. This kind of self-annihilati on is only a worse illusion, it is a pretended humility which, by saying “I am nothing” I mean in effect “I wish I were not what I am.
Never have I greater reason for suspicion that when I am particularly pleased with myself, my faith, my progress, and my alms.
When I am watching my films, I think I could have done this scene better and I tend to criticise myself. I have liked myself in bits and parts.
I thought I should try something relatively inexpensive, relatively contained, relatively small. I started working on a feature, a film I'd still like to make: a very talky film of people and ideas about our contemporary state with regard to relationships, marriage, sex, and romance. I started trying to educate myself about filmmaking.
Here I am in a rabbit run, here I am in a valley of pine, waiting for you to find me. I could pretend I’m speaking to everyone—assume a middle distance and transcend myself—but I’m taking to you and you know it.
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