A Quote by Gyles Brandreth

It's called 'Odd Boy Out' because as I was writing it I realized I was a bit of an oddity as a child. — © Gyles Brandreth
It's called 'Odd Boy Out' because as I was writing it I realized I was a bit of an oddity as a child.
I feel comfortable in the presence of oddity. Probably because I'm a little bit odd.
I did want a boy child because I had this romantic idea that a boy child when he's 16 takes his mother out for dinner.
Sherman made the terrible discovery that men make about their fathers sooner or later... that the man before him was not an aging father but a boy, a boy much like himself, a boy who grew up and had a child of his own and, as best he could, out of a sense of duty and, perhaps love, adopted a role called Being a Father so that his child would have something mythical and infinitely important: a Protector, who would keep a lid on all the chaotic and catastrophic possibilities of life. ~Tom Wolfe
I always questioned if I was CALLED to adopt, but then I realized no child was ever CALLED to be an orphan.
I then realized my analytics data was a bit odd. My keywords were no longer with me
When people call me Sir Anthony I just think oh, that's a bit odd. But I'm not cynical about it. Um, I just feel more comfortable being called Tony or Mr. Hopkins, whatever name I'm called.
I then realized my appearance was a bit odd. My right leg was no longer with me. It had caught somewhere in the top of the cockpit as I tried to leave my Spitfire.
My father wanted a boy. I was supposed to be called Albert. That was probably the beginning of why things got so complicated, because I wasn't a boy.
I've just had a little boy, and my wife and I called him Elliott because 'E.T.' sort of saved my life because that film is absolutely about something being out there that's greater than yourself.
I first learned that there were black people living in some place called other than the United States in the western hemisphere when I was a very little boy, and my father told me that when he was a boy about my age, he wanted to be an Episcopal priest, because he so admired his priest, a black man from someplace called Haiti.
Whether you're acting or you're writing, your skin is just basically ripped off and you're putting yourself out there. At least the acting part comes with a bit more social interaction. And you're a bit less isolated because you are working with the director and the crew, and there's a general camaraderie. Writing, you're totally isolated. You're just trying to get the words on paper.
A parent being called to the school because their child had misbehaved was as serious as a parent being called to the police station because their child had robbed a bank.
I came from the time of so-called New Criticism - the poem in itself, the writing in itself - but around that time I had come across a critic called Kenneth Burke, who wrote a book called A Rhetoric of Motives, and it seemed to talk about another way, and gradually I realized that other way was that the reader made a difference.
When I started writing short stories, I thought I was writing a novel. I had like 60 or 70 pages. And what I realized was that I don't write inner monologue. I don't want to talk about what somebody is thinking or feeling. I wanted to try to show it in an interesting way. And so what I realized was that I was really writing a screenplay.
Stories about mental aberration and oddity only make sense in context. Just how do people live with someone who is peculiar, gifted, strange or alien? It's odd because there's a little part of me that wants to write about exotic, strange bizarre subjects. Instead, I've rather reluctantly realised that what I write about is families.
I was a bit odd as a kid, because there were so little outlets for me. There was no theatre except for the odd community theatre and school shows. The only movie theatre was at the Canadian Forces Base nearby in Comox, so it either showed kiddie flicks for the families and restricted stuff for the men.
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