A Quote by Gyles Brandreth
If you were doing a Des O'Connor show, you were in safe hands.
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My mum was the most wonderful cook and our house was always full of delicious food and interesting people. I remember dad entertaining the likes of Des O'Connor and Bruce Forsyth. But what really shaped my childhood were the amazing Jamaican dishes that mum produced so effortlessly.
Billie Joe Armstrong of Green Day always says we were influences on him, because he does melodic but distorted, like what we were doing. The Ramones were doing it. We were doing it. The Buzzcocks, all those bands.
At any Trump rally, the Trump supporters were peaceful. They were enthusiastic. They loved America. They were excited. They were pro Trump. They were not bullies. They were not angry. They were not doing anything unless they were provoked.
Whatever you wanted in entertainment, Des O'Connor could provide, so he was in a way the last of his kind.
Look, look, Jeb [Bush] said we were safe with my brother. We were safe. Well, the World Trade Center just fell down! Now, am I trying to blame him? I'm not blaming anybody. But the World Trade Center came down. So when he said, we were safe, that's not safe. We lost 3,000 people, it was one of the greatest - probably the greatest catastrophe ever in this country if you think about it, right?
I ate apple pie and ice cream—it was getting better as I got deeper into Iowa, the pie bigger, the ice cream richer. There were the most beautiful bevies of girls everywhere I looked in Des Moines that afternoon—they were coming home from high school—but I had no time for thoughts like that…So I rushed past the pretty girls, and the prettiest girls in the world live in Des Moines.
The four of us couldn't have made a record with the time left over when we were shooting the show. We were on stage from 7.30 in the morning 'til 7 at night. Later on, when there was a break from filming, and we were sick of doing it the old way.
There was so much on 'Superstar' that we didn't intend. I mean, there were things that we did which were innovative, but some of them were forced on us because we couldn't get anybody to do the show. 'Evita' was much more sophisticated. That doesn't make it better, but it does make it different. We knew what we were doing.
My parents had no interest in spending a lot of time with me. They were busy doing what they were doing, but they were not obnoxious. They were fabulous.
... we shoved out many hopes and fears into their hands, believing those hands were strong because they had firm handshakes. They failed us, always. There was no way they could not fail us - they were human, and so were we.
I was a woman and younger. I started spending a lot of time in the mall doing a lot of qualitative research and really watching what consumers were doing. Were they gravitating towards the sales racks, or were they looking at the new fashions? Were they there to shop, or were they there to socialize?
I suppose in some ways doing some of the songs in the show felt a bit like I was doing cover versions. I was covering myself. Not that they didn't feel like my songs, but the way I was approaching them was from a place so outside where they were written. The fact that these songs were in the context of a live show was a new thing.
Human beings thought with their hands. It was their hands that were the answer of curiosity, that felt and pinched and turned and lifted and hefted. There were animals that had brains of respectable size, but they had no hands and that made all the difference.
We were all novices. We really were. We didn't know a goddamn thing about doing a show.
The fact is, it was a big show. We were a part of that show. Everybody watches for different reasons. There were some people who were tuning in that day to see what was going on with other characters.
'The Unsinkable Molly Brown' was my favorite for me to be in because it was all dancing. There were other musicals that I made with Donald O'Connor and Gene Kelly that were wonderful pictures, and we had a lot of fun making them.
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