A Quote by Gylve Nagell

The more spastic song structure I have, the more I hate it afterwards. — © Gylve Nagell
The more spastic song structure I have, the more I hate it afterwards.
We haven't really changed, we've just gotten better at executing what we've always been trying to do. We're not really a band that has undergone huge stylistic decisions to change, we're just trying to follow the song. More and more, we let the song lead us - we don't try and put the song into a structure of our taste or our fashion.
Like the Birth Of Venus, the song [Yello "oh, Yeah"] denotes the birth of the bro. The song just reminds me of bros looking out over lowered Ray-Bans. It birthed a negative sexual revolution. I was going to a lot of bondage clubs at the time and they did play this song. The song I associate more is that horrible Enigma song with the Gregorian chant. There's something good buried in that song and I might not hate it as much if I hadn't been a sex worker.
I am moved more by melodies, song structure, and evocative textures.
'Something More' is a song that I wrote not necessarily about country radio, more so about a lot of songs that were being pitched to me. I wrote that after song after song after song was just the same song, just a different melody, so I was just looking for something more to put on the record.
I think on the first album, my aim was to write a good song and have a good melody, and I wanted lyrics that would connect with as many people as possible. On the second album, I took a lot more of a personal approach. I wasn't trying to make conventional, structured songs; I was really trying to get a lot of emotion and my own personal journey throughout it. I just focused more on being honest than getting the normal song structure down.
I think there are shades of political songs; some are more subtle and can be more effective for being subtle, for being more metaphorical. I've written a lot of songs like that, where it's not really clear if it's a war song or a relationship song. The metaphor can be the most powerful thing of all, but sometimes you have to speak more clearly to more people, and I think this is one of those times.
A Song of the good green grass! A song no more of the city streets; A song of farms - a song of the soil of fields. A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk'd maize.
The more populous the world and the more intricate its structure, the greater must be its fundamental insecurity. A world-structure too elaborately scientific, if once disrupted by war, revolution, natural cataclysm or epidemic, might collapse into a chaos not easily rebuilt.
You can say a lot more with a poem than you can with a song, but with a song you can really be more powerful with it. You can express it a lot more powerfully.
I hate nothing more than feeling rushed to write a song or feeling like I have to write a song.
Meditators are shown to have thickening in parts of the brain structure that deal with attention, memory and sensory functions. This was found to be more noticeable in older, more practiced meditators than in younger adults which is interesting because this structure usually tends to get thinner as we age.
The key to a better life: Complain less, appreciate more. Whine less, laugh more. Talk less, listen more. Want less, give more. Hate less, love more. Scold less, praise more. Fear less, hope more.
I find when I'm more awake, I tend to think more of the structure and movement of a tune, abrupt transitions, etc.; things becoming more composed.
I am very proud of the song 'More & More.' It's a great love song and has really fun choreography attached.
I think it's good if a song has more than one meaning. Maybe that kind of song can reach far more people.
I write when I have to; I write when the song is done and I deal with the idea and I just go with it and I'll become what that song is all about until I have finished it. And when you do that, it makes the song more visual, it makes it more personal.
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