A Quote by Gylve Nagell
I often think it's unfair to the listener and "too easy" to just choose one tempo while I make and decide the songs.
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I don't want to sing songs that aren't worth while. Time is so rare. I just don't want to waste the listener's time and I think that my songs don't do that. That's what I pray for. I want songs that really touch people's hearts.
You gotta make sure the listener is listening to you, so if you put it into a song, often times, if the song is striking enough, then you can really deliver the story most effectively while keeping the ear of the listener the whole time.
I think I can help push the tempo just a little bit... I feel I can get the ball after a rebound. Push the fastbreak. Push the tempo. Get guys some easy shots.
Starting a band is the easy part. Once you've formed the band, you have to tell a story, and that story requires songs. And not just good songs, but great songs. After a while, great songs won't do - they have to be the best. Success doesn't make it any easier. Each time I start a new record, it's a brand-new search.
Music is an emotion and it makes you feel a certain way. Some songs make you want to dance, while some make you think. Some songs are positive, while some people see those songs as negative.
I like clever songs. I like songs that make people think and I try to have substance in all my records, even with 'Sweet Dreams' how it was a club record and it was up tempo, but it was melodic and it was, like, lyrical.
I think it's unfair for people to decide what my strength is after just three films.
It’s as easy as we choose to make it,” he murmured, pressing his forehead to mine. “At least, this decision is. Nothing’s truly easy, Georgina. Love and life . . . they’re wonderful, but they’re hard. We may mess up again. We have to be strong and decide if we can still go forward, even when things aren’t perfect.
I don't really like over-explaining the songs. Everyone constantly asks what the songs are about, and I think the thing is that the songs definitely all have stories in them; it's just nice to let people decide what they are. I think it's important that people hear it themselves rather than having me annotate it.
I look for songs that the listener, when they hear it, they believe what I'm singing about, that I know what I'm singing about. That's my whole deal. I try to choose songs that a male or a female can perform and relate to.
I love good momentum. It makes everybody happy and in this time that we're living in, especially musically speaking, if you can make a record that has more than 4 or 5 songs deep and it has a good variety of songs. You don't frontload it with those first couple of songs. You continue the record taking the listener on a journey, musically speaking. I think you've really got something there.
I think that too many people think too much about my lyrics. I am more a person who works with the sound of a word than with its meaning. Often I just choose the words because of the rhythm not because of the meaning.
In other words, let's face it: Life is basically unfair. But even in a situation that's unfair, I think it's possible to seek out a kind of fairness. Of course, that might take time and effort. And maybe it won't seem to be worth all that. It's up to each individual to decide whether or not it is.
I am frustrated by celebrities who decide to write children's books because they think it's easy. That drives me crazy. It's frustrating because it's unfair to children. Because they'll get a lot of attention, they'll get a lot of marketing budget and so on just because they're a celebrity - the Madonnas, the Ricky Gervaises, the Russell Brands.
Songs are pretty easy. They are small, they are modular, they are about as big as a bagel. They are easy to build. Films are overwhelming in their magnitude and scope. By comparison, a lot of film directors wish they were writing songs because you can do it while getting your hair cut.
We do not choose to be born.We do not--most of us, choose to die, or the times or conditions of our death. But within all this realm of choicelessness, we do choose how we shall live--Courageously or in cowardice, Honorably or dishonorably, With purpose or adrift. We decide what is important and what is trivial. What makes us significant is what we DO, Or REFUSE TO DO. WE DECIDE and WE CHOOSE--and so we give definition to our lives.
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