A Quote by Gza

Too many songs, weak rhymes that's mad long.
Make it brief son: half short, twice strong! — © Gza
Too many songs, weak rhymes that's mad long. Make it brief son: half short, twice strong!
God had no children too weak, but a great many too strong to make use of.
For the young Gaels of Ireland Are the lads that drive me mad, For half their words need footnotes And half their rhymes are bad.
But when the strong were too weak to hurt the weak, the weak had to be strong enough to leave.
It’s just like when you’ve got some coffee that’s too black, which means it’s too strong. What you do? You integrate it with cream; you make it weak. If you pour too much cream in, you won’t even know you ever had coffee. It used to be hot, it becomes cool. It used to be strong, it becomes weak. It used to wake you up, now it’ll put you to sleep.
I will be brief. Your noble son is mad.
Be brief, for no talk can please when too long. Being prepared is half the victory.
"Love" is so short of perfect rhymes that convention allows half-rhymes like "move". The alternative is a plague of doves, or a kind of poem in which the poet addresses his adored both as "love" and as "guv" - a perfectly decent solution once, but only once, in a while.
'Love' is so short of perfect rhymes that convention allows half-rhymes like 'move.' The alternative is a plague of doves, or a kind of poem in which the poet addresses his adored both as 'love' and as 'guv' - a perfectly decent solution once, but only once, in a while.
Now, many Americans fear that China might grow too strong ... I'm more worried that America might be getting too weak. It's not bad for the United States if other nations have a strong economy. One fewer hungry-mouthed country wanting us to take care of it and its people is great news. If they have money, maybe they will buy the things we innovate and make.
The thing that impressed me then as now about New York… was the sharp, and at the same time immense, contrast it showed between the dull and the shrewd, the strong and the weak, the rich and the poor, the wise and the ignorant… the strong, or those who ultimately dominated, were so very strong, and the weak so very, very weak - and so very, very many.
If we don't be going strong, we're going weak, and we can't afford to go weak. We've got too many problems to do that.
A novel is like a long relationship and a short story is a brief one that lingers - it lingers powerfully and maybe more powerfully. I think that's true in a lot of cases, most long-term relationships compared to some of the briefer ones - the intensity of those brief ones that end, I think a short story is kind of like that. There's a certain level of intensity that I think is different.
For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.
The weak are more likely to make the strong weak than the strong are likely to make the weak strong.
Many brief follies--that is what you call love. And your marriage puts an end to many brief follies, with a single long stupidity.
I feel, am mad as any writer must in one way be; why not make it real? I am too close to the bourgeois society of suburbia: too close to people I know I must sever my self from them, or be a part of their world: this half and half compromise is intolerable.
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