A Quote by Gza

When I was growing up, to be an emcee meant to write the most clever, intellectual, and wittiest rap. And that's what we did. — © Gza
When I was growing up, to be an emcee meant to write the most clever, intellectual, and wittiest rap. And that's what we did.
I have a fantastic husband. Here's the honeymoon part: I still think he's the funniest, wittiest, most clever man I've ever known.
Advertising companies hire the very brightest, wittiest young people to write for them. Not one single sentence of it is worth repeating. Why? Because it wasn't meant.
If I write a paragraph and I don't get a certain lift from it, if I don't feel connected to it emotionally, then it's dead to me. When I'm reading other fiction writers, if I don't get any emotional investment from the writer, if it's just intellectual or clever - you know, most writing that passes as deep is just clever - I don't feel any connection.
An emcee is a Master of Ceremonies. If you're an emcee, and I am an emcee... I rhyme, you know what I mean? I do things for my fans that still appreciate me, let them know what's coming.
Thank your readers and the critics who praise you, and then ignore them. Write for the most intelligent, wittiest, wisest audience in the universe: Write to please yourself.
Emceeing has always been about making the most intellectual, most creative, wittiest rhyme as possible regardless of any subject. It was always about bringing the best out of yourself.
There was a little part of me that always felt like I was going to be an actress, but I never acted when I was growing up. I was a dancer. That's all I did, all day, all my life. Maybe this was just where I was meant to be, and somehow I ended up here, but it just felt right. As soon as I started acting, it just felt like it was meant to be.
I certainly did not know what the word 'socialism' meant growing up, because I was brought up in a very nonpolitical family. My brother was somewhat active, but my parents were not.
Pol Pot - he rounded up anybody he thought was intellectual and had them executed. And how he told someone was intellectual or not was whether they wore glasses. If they're that clever, take them off when they see him coming!
Most films I write are based on what I have seen growing up, and I could write 'Ulidavaru Kandanthe' because of that familiarity.
The French are the wittiest, the most charming, and up to the present, at all events, the least musical race on Earth.
I sometimes feel that the world is a very uncivilised place where it is meant to be at its most civilised. Where it's meant to be intellectual or artistic or compassionate, it isn't, and that makes me very angry.
Rap - it's a childhood passion. Writing rhymes, it's something that I was doing before rap records even existed. And I will continue to write until I can't write anymore.
My most prized possession would have to be 'Trick It.' I did rap here and there with some songs before, but 'Trick It' was my first time challenging myself to write lyrics from beginning to end.
I always write to the moment. I've always been that kind of emcee. I don't wanna come in with all the paperwork and all o' that or whatever. That's good when you just an emcee from off the block that really don't have to work as hard as the next man. But when, you know... Y'all make me write like this, from, I guess, me makin' a classic and everybody callin' my stuff classic material - that makes me have to work ten times harder. But a lot o' times things just happen at the moment for me: spur o' the moment. That's just how it goes sometimes.
I always wanted to write movies that I'd direct. I didn't come at it from a writing standpoint more than a directing standpoint, except that growing up, I didn't have the opportunity to shoot as much as I did to write.
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