A Quote by Gza

A lot of artists think that to be current, you have to follow what's out there and do something that's so unlike what you normally do. It can work, but it doesn't if you chase it.
I think every artist should follow their vision; their hearts is what they need to reveal, not something that society is looking out for. That said though, I think also artists have, continuously good artists, have been good for their times.
Long-distance train conversations are unlike the perfunctory exchanges one normally associates with strangers, or the truncated, cut-to-the-chase kind that sometimes take place between seatmates on a plane.
The artists always reflect the times, so there's a lot to think about, a lot of unknowns, a lot of things that are describable. This is the closest I've seen to the kind of ambience that made the '60s happen. It's not about the artist having a responsibility to do anything. They have to be artists and express themselves and everything will work out fine.
The law of dislike for the unlike will always prevail. And whereas the unlike is normally situated at a safe distance, the Jews bring the unlike into the heart of every milieu, and must there defend a frontier line as large as the world.
I think a lot of business students chase money and then they burn out. They have early retirements, not because they want to retire and chill... But because they hate their job and they are miserable. I don't chase money.
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
I have a feeling a lot of artists' work got lost [because of AIDS]. Howard was fortunate because his family and friends supported him, but a chilling thing I remember was these guys at St. Vincent's [Hospital] who would call out for someone to listen to them, just for a moment. They were dying alone. Who knows what happened to their work? It's been a process to follow the thread to find out everything Howard did. It's getting over that shock.
When you're young and starting out, a lot of artists think they know exactly who they are. There are others who come out in someone else's skin. They learn to take it off bit-by-bit and work out the core of what they're trying to say.
I find artists like Tim Barry, Cory Branan, and Jenny Owen Youngs, these current artists that are doing what they're doing now are my idols, my generation's incredible songwriters. I've listened to so much music on the whole ride and I'm inspired by a lot of classic artists, but it's the people right next to me singing songs that are blowing my mind, if that makes any sense.
If I'm talking about something current, a current issue or something political, it's because I was able to read it when I was on the plane getting to the gig... a lot of it happens when I'm on the road because when I'm home, you're just mom, and that's it.
Chase scenes normally just have to be exciting and, you know, not a lot of emotion you need to go through. It's just about getting from A to B with as much excitement as you can.
Dave Matthews, Tim McGraw, U2, The Rolling Stones - there are a lot of artists selling out stadiums around the world that we work with regularly. And end up making most of our money with those artists.
People sometimes get a little extra criticism when they try something that they don't normally do, but I think that's just a natural thing for artists. It's like, 'Okay, I did that, and now I want to try this.'
People sometimes get a little extra criticism when they try something that they don’t normally do, but I think that’s just a natural thing for artists. It’s like, "Okay, I did that, and now I want to try this."
One thing I've discovered is that I never think of something that didn't work out as just "something that didn't work out." I think so often with investigative work, things that initially look like failures wind up leading to your biggest stories.
It's always been important to us to be original, which sounds really easy when you say it. Everyone says it all the time, but it's actually not that easy to be original. It's also something scary because if you're doing stuff that doesn't sound like anything else, I think a lot of people get scared of that. A lot of people tend to follow instead, they wait for something else to do something new and then they follow that. We just don't like to do that.
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