A Quote by Gza

I could write about a pencil if I wanted to. You just take it back deep enough, all the way back to the tree it came from. — © Gza
I could write about a pencil if I wanted to. You just take it back deep enough, all the way back to the tree it came from.
When I came back, after all those stories about Hitler and his snub, I came back to my native country, and I could not ride in the front of the bus. I had to go to the back door. I couldn't live where I wanted. Now what's the difference?
It's important that we came here, just to touch base here in this great country... When I was about 16 I came with my dad for a couple of weeks and had a great time and I've wanted to come back, it's been way too long. So, I'm very happy to be here and I want to come back longer with the rest of my family.
I really wanted to be as healthy as I could. It wasn't about getting my six-pack back. There are more important things in life than a six-pack, I realized. It was just so much more important to take care of my baby and take care of myself in a healthy way; so now, it's been a slow process, but I'm back in shape.
I never wanted to write about Bulgaria. When I was still living there I did my absolute best to never write a story with a Bulgarian character with a Bulgarian name, and only after I came to the US and I was far away and missing it a great deal did I realize that writing about could be my way of returning back home. I think it was only through my writing that I fell in love with the country and with the history.
I came back, Uncle Eddie. Last year, after the Henley, I could have gone to any school in the world -- I could have done anything, but I came back." "You ran away, Katarina." "And now I'm back." "You're still running.
Way back in the '70s, I was approached to talk about the story I'd write for a Spider-Man movie. They also talked to me about Batman. I had to think about it, but that was way, way back when.
The trash-talking, I think I would like to take that back. I really didn't want to get known as that, but that was just the way I was, the way I grew up back in Oakland, Calif., back on the playgrounds.
It was pure guesswork on my part back in 1979 as to whether I would have the stamina to write, pencil, ink, letter, tone, and fill the back of a monthly comic book for 26 years.
It was coincidental that 'Housefull 2' and 'Bol Bachchan' came back-to-back. It's not that I have a special affinity for them and so I chose them; they just came my way.
For a long while, I found Parker impossible. He went away for 23 years. I tried to bring him back a few times, and I sort of figured out where he came from, why he went away, and why he came back. The thing that I have to tap into for Parker is in some way the outsider. If I can tap into the outsider, I can write about Parker, and if I can't, I can't.
Shall I tell you the secret of the whole world? It is that we have only known the back of the world. We see everything from behind, and it looks brutal. That is not a tree, but the back of a tree. That is not a cloud, but the back of a cloud. Cannot you see that everything is stooping and hiding a face? If we could only get round in front--
While we were promoting 'Wide Open Spaces,' we set aside time to write. We went on several writing retreats where nobody could get hold of us. It was the only way we could take a step back and reflect and write and be living a semi-normal life for a while.
I remember that in '81, country radio was pretty pop, and everybody wanted a crossover record - and all of a sudden it came back to traditional. Now it's kind of swung the other way a little bit, but it always comes back.
I always wanted praise, and I always wanted attention; I won't lie to you. I was a jazz critic, and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, 'What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.'
I always wanted praise and I always wanted attention; I won't lie to you. I was a jazz critic and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.
L.A. is such a different place. I miss New York so much. I almost teared up when I came back and wanted a Guinness and realized I could drink it and take a cab home. I remembered that I could be a functional alcoholic in New York, like I used to be!
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