A Quote by Gza

I had a few DJs in my neighbourhood that would play music in the streets. There was no hip-hop yet; there were just DJs that were playing disco, funk, and pop music, and we would gather round, go to the parks, and dance and enjoy ourselves.
I grew up on rap and hip-hop and fell into dance music. Hip-hop died down, and I moved more into dance music, disco and house. It feels very natural. My rhythm growing up on hip-hop and R&B was cool, fresh, and I feel comfortable with it.
I'm envious of the way that electronic dance music has organised itself. It has been able to understand what it ain't rather than what it is. And I think that slipped away from hip-hop as soon as the DJs lost the majority of the say so in the direction of the music.
There was a movement called 'disco sucks', it was a shame to like disco, but then there was no music to dance to, so some DJs started to use old disco records, but the B-sides and the acapellas, and we began producing beats with drum machines.
DJs play a big responsibility of what hip-hop is doing... At the end of the day, it's up to us to control and to own hip-hop. DJs need to challenge us rappers. They got so much power, they need to challenge us.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
Dance music has evolved very much. From DJs playing at the Olympics, to playing at the Super Bowl, working with Cirque Du Soleil and even getting recognized at the Grammys with awards, dance music is growing in a big way.
Disco music has had its opportunity earlier and now the young people have taken it to another level. DJs are using our music and creating innovative remixes out of it. This is the way party is today. You can say, it's a new type of disco now.
When I started out as a music journalist, at the end of the 1980s, it was generally assumed that we were living through the lamest music era the world would ever see. But those were also the years when hip-hop exploded, beatbox disco soared, indie rock took off, and new wave invented a language of teen angst.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
I come from a world of hip-hop, but I love all types of music, and that's what Revolt will reflect. It will be home to electronic dance music, pop, hip-hop.
But the idea of taking things and mixing them together is what I do in my music. I take hip-hop, R&B, pop, dance, funk and soul and mix it all together to get my own sound.
The best music to dance to is my music! Haha! I say anything that speaks to you. I personally enjoy dancing to hip-hop, R&B music, EDM/trap music.
The music industry isn't converging toward dance music. Dance music is dance music. It's been around since disco - and way before disco. But there's different versions of dance music.
When you hear the music of these celebrated Dutch superstar-DJs nowadays... my God, I wouldn't even feed their music to my dog. I don't consider that to be my sort of dance music.
For me, I have the highest amount of respect for DJs. There's a real skill set and ability to hold a crowd's attention for four to five hours, especially with an R&B/hip-hop and open-format music.
Holland is a really small country, but with a very strong club and festival scene. Dance music has been huge in Holland since the late eighties. So there were a lot of opportunities for producers and DJs to release records and play live.
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