A Quote by H. G. Bissinger

If someone is going to criticize what you've written and you believe in what you've written then you should respond. — © H. G. Bissinger
If someone is going to criticize what you've written and you believe in what you've written then you should respond.
My wife says, "You're an idiot! Why do you Google your name and all you're doing is looking for trouble?" Because I'm thin-skinned. Because I don't like to be mischaracterized. I just don't. If someone is going to criticize what you've written and you believe in what you've written then you should respond. Now do I sometimes fall in the gutter myself and look silly doing it? Of course. Some battles I win, some battles I lose.
I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.
I wish there was someone I could have written to after that, someone I could have written to explain how awful it was to have someone touch you, then look at you properly and change his mind.
Most of everything I've ever written actually was written on acoustic. 'Do You Feel' was written on electric. 'I'm in You' was written on piano.
The Red Sox believe what's written. If it's written that I should be traded, more times than not, that's what ends up happening. Look at the people who've gotten traded around here. It's not their doing.
How many chapters have been written about love verses - and how many more might be written! - might, would, could, should, or ought to be written! - I will venture to say, will be written!
Poetry, at least the kind I write, is written out of immediate need; it is written out of pain, joy, and experience too great to be borne until it is ordered into words. And then it is written to be shared.
What I do is creative. It doesn't seem like that when I'm playing a piece that was written in the past, but the score is just the outline and everything in it is relative. The key is to make this piece written by someone else belong to you and then connect to the audience.
I like writing for other people. I love it. It's great because you write it and then you hand it off to someone else. But in terms of directing, anything I direct will be something I've written or re-written. I'm in no crazy rush to direct.
A writer/director is a tough thing to gauge when someone hasn't directed a movie before. You just don't know. Sometimes it will be a great script that's written beautifully, and then the director who has also written it does not have the facility to translate it.
In contrast to a dream a reverie cannot be recounted. To be communicated, it must be written, written with emotion and taste, being relived all the more strongly because it is being written down. Here, we are touching the realm of written love. It is going out of fashion, but the benefits remain. There are still souls for whom love is the contact of two poetries, the fusion of two reveries.
Before one is successful that is before any one is ready to pay money for anything you do then you are certain that every word you have written is an important word to have written and that any word you have written is as important as any other word and you keep everything you have written with great care.
Good copy can't be written with tongue in cheek, written just for a living. You've got to believe in the product.
If wrinkles must be written upon our brows, let them not be written upon the heart. The spirit should never grow old.
If wrinkles must be written on our brows, let them not be written upon the heart. The spirit should never grow old.
I should have written more. I should have written more during the period when I just liked so much doing the political work in the streets.
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