A Quote by H. G. Wells
No. I cannot expect you to believe it. Take it as a lie--or a prophecy. Say I dreamed it in the workshop. Consider I have been speculating upon the destinies of our race until I have hatched this fiction. Treat my assertion of its truth as a mere stroke of art to enhance its interest. And taking it as a story, what do you think of it?
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An interesting fiction... however paradoxical the assertion may appear... addresses our love of truth- not the mere love of facts expressed by true names and dates, but the love of that higher truth, the truth of nature and principals, which is a primitive law of the human mind.
Professional cinema image-taking should integrate, serve, interest, and enhance the story. I judge cinematography not just for a story well told but for what the story is.
I think the difference between a lie and a story is that a story utilizes the trappings and appearance of truth for the interest of the listener as well as of the teller. A story has in it neither gain nor loss. But a lie is a device for profit or escape. I suppose if that definition is strictly held to, then a writer of stories is a liar - if he is financially fortunate.
Good propaganda does not need to lie, indeed it may not lie. It has no reason to fear the truth. It is a mistake to believe that people cannot take the truth. They can. It is only a matter of presenting the truth to people in a way that they will be able to understand. A propaganda that lies proves that it has a bad cause. It cannot be successful in the long run.
Telling ourselves that fiction is in a sense true and at the same time not true is essential to the art of fiction. It's been at the heart of fiction from the start. Fiction offers both truth, and we know it's a flat-out lie. Sometimes it drives a novelist mad. Sometimes it energizes us.
Pablo Picasso said, "Art is the lie that tells the truth," and it's not a terribly radical statement. It's always been that you can tell truth through fiction. And this idea also comes from nuclear physics.
Literature is invention. Fiction is fiction. To call a story a true story is an insult to both art and truth.
A woman does not want the truth; what is truth to women? From the beginning, nothing has been more alien, repugnant, and hostile to woman than the truth - her great art is the lie, her highest concern is mere appearance and beauty.
Truth is always stranger than fiction. We craft fiction to match our sense of how things ought to be, but truth cannot be crafted. Truth is, and truth has a way of astonishing us to our knees. Reminding us, that the universe does not exist to fulfill our expectations. Because we are imperfect beings who are self-blinded to the truth of the world’s stunning complexity, we shave reality to paper thin theories and ideologies that we can easily grasp – and we call them truths. But the truth of a sea in all it’s immensity cannot be embodied in one tidewashed pebble.
Many say an art dealer running a museum is a 'conflict of interest.' But maybe the art world has lived an artificial or unintentional lie all of these years when it comes to conflicts of interest.
It is always useful to think badly about people one has exploited or plans to exploit... No one likes to think of him or herself as a bad person. To treat badly another person whom we consider a reasonable human being creates a tension between act and attitude that demands resolution. We cannot erase what we have done, and to alter our future behavior may not be in our interest. To change our attitude is easier.
The Kafka paradox: art depends on truth, but truth, being indivisable, cannot know itself: to tell the truth is to lie. thus the writer is the truth, and yet when he speakes he lies.
One of the standard story-generating engines for science fiction is to take something we normally think of as metaphoric and treat it as if it were literal.
My work as a screenwriter has influenced my fiction. Writing screenplays forces you to consider many elements regarding story structure and other narrative devices that can be used to enhance the infinitely more complex demands of a novel.
I bow to all the seekers of truth. At the very outset, I have to say that truth is what it is. We cannot change it, we cannot transform it. We cannot compromise with it. It is what it is, it has been what it has been, and it will be what it has been. So it doesn't change. What is needed is that we have to change. So, what is the truth? Truth is that you are not this body, this mind; you are not these emotions, intellect or conditionings. Nor you are ego. So what are you ? You are the pure Spirit.
My gripe is not with lovers of the truth but with truth herself. What succor, what consolation is there in truth, compared to a story? What good is truth, at midnight, in the dark, when the wind is roaring like a bear in the chimney? When the lightning strikes shadows on the bedroom wall and the rain taps at the window with its long fingernails? No. When fear and cold make a statue of you in your bed, don't expect hard-boned and fleshless truth to come running to your aid. What you need are the plump comforts of a story. The soothing, rocking safety of a lie.
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