A Quote by H. L. Mencken

Who ever heard, indeed, of an autobiography that was not (interesting)? I can recall none in all the literature of the world — © H. L. Mencken
Who ever heard, indeed, of an autobiography that was not (interesting)? I can recall none in all the literature of the world
Most people write a lot of autobiography, but when I came to write autobiography I discovered that nothing interesting had ever happened to me. So I had to take the situation and invent stories to go with it.
If you could change the neural pathways in your brain so that you could recall everything you've ever heard, taste, smelled or touched, basically from the womb on, and use it at your disposal, that's an interesting concept.
I thought it would be more interesting to make a musical autobiography than an actual autobiography.
The more I can make a person comfortable in their environment by taking my ego's hat off and leaving it at the door, then they can dive deep within themselves and we can pull out something interesting that people have never heard before. It's the stuff that's - that no one's ever heard before is really interesting.
It's interesting to note that all revolutionary literature was written by pastors. These guys were involved in a revolution against the mightiest power that the world had ever seen.
Until we give up the world manufactured by the ego, never can we enter the kingdom of heaven. None ever did, none ever will.
Such reproductions may not interest the reader; but after all, this is my autobiography, not his; he is under no obligation to read further in it; he was under none to begin. A modest or inhibited autobiography is written without entertainment to the writer and read with distrust by the reader.
We do literature a real disservice if we reduce it to knowledge or to use, to a problem to be solved. If literature solves problems, it does so by its own inexhaustibility, and by its ultimate refusal to be applied or used, even for moral good. This refusal, indeed, is literature's most moral act. At a time when meanings are manifold, disparate, and always changing, the rich possibility of interpretation--the happy resistance of the text to ever be fully known and mastered--is one of the most exhilarating products of human culture.
I recall my dad saying about me once that the only time he'd ever heard me say 'never' was when I was asked if I'd had enough.
A complete autobiography would indeed be a picture of the outer and inner universe photographed upon one little life's consciousness. For does not the whole world, seen and unseen, go to the making up of every human being?
Literature in its most comprehensive sense is the autobiography of humanity.
As you may have heard, former President Bill Clinton says he's coming here to California to help Governor Gray Davis in his recall election campaign. Which is ironic, isn't it? When Clinton was president, he couldn't recall anything.
I don't think men experience the embargo on channeling the autobiography in their literature.
Polish literature can be interesting to the world. I'm happy to be the trailblazer.
The Old Testament, as everyone who has looked into it is aware, drips with blood; there is, indeed, no more bloody chronicle in all the literature of the world.
You watch Jeff Sessions testifying in front of Congress, Jesus, like watching an amnesiac: "I don't recall," "I don't remember," "I don't recall," "I don't remember," "I don't remember what I don't recall," "I recall what I don't remember." Amazing.
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