A Quote by H. L. Mencken

To be in love is merely to be in a state of perceptual anesthesia - to mistake an ordinary young woman for a goddess. — © H. L. Mencken
To be in love is merely to be in a state of perceptual anesthesia - to mistake an ordinary young woman for a goddess.
An ordinary mistake is one that leads to a dead end, while a profound mistake is one that leads to progress. Anyone can make an ordinary mistake, but it takes a genius to make a profound mistake.
Inside every woman there is a Kali. [Hindu goddess who morphed into seven hidden beings to win a battle] Do not mistake the exterior for the interior.
Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake.
Goddess-nurse of the young, give ear to my prayer, and grant that this woman may reject the love-embraces of youth and dote on grey-haired old men whose powers are dulled, but whose hearts still desire.
There are two kinds of success. One is the rare kind that comes to the person who has the power to do what no one else has the power to do. That is genius. But the average person who wins what we call success is not a genius. That person is a man or woman who has merely the ordinary qualities that they share with their fellows, but has developed those ordinary qualities to a more than ordinary degree.
Why does the longing for love have to be so acute, like a desperate thirst? Is it because love is wanting to be saved and we can never really be saved? Maybe love is really born of our fears. Love is the heart’s desire for a painkiller; a tearful plea for a great big epidural. Yes that’s it: love is the only anesthesia that really works. And so people with broken hearts are really those who are just coming to, and if you’ve ever seen someone come out of general anesthesia, you know that it looks a lot like the beginnings of a broken heart.
Circumcision in the United States is routinely performed without anesthesia, though anesthesia reduces the infant's stress and prevents infection and blood clots.
The entire object of true education is to make people not merely do the right things, but enjoy the right things — not merely industrious, but to love industry — not merely learned, but to love knowledge — not merely pure, but to love purity — not merely just, but to hunger and thirst after justice.
Take love as a sober man takes wine; do not become a drunkard. If your mistress is sincere and faithful, love her for that; but if she is not, if she is merely young and beautiful, love her for that; if she is agreeable and spirituelle, love her for that; if she is none of these things but merely loves you, love her for that. Love does not come to us every day.
The state should, I think, be called 'anesthesia.' This signifies insensibility.
The most extraordinary thing in the world is an ordinary man and an ordinary woman and their ordinary children.
Making love with a woman and sleeping with a woman are two separate passions, not merely different but opposite. Love does not make itself felt in the desire for copulation (a desire that extends to an infinite number of women) but in the desire for shared sleep (a desire limited to one woman).
The greatest political storm flutters only a fringe of humanity. But an ordinary man and an ordinary woman and their ordinary children literally alter the destiny of nations.
Women's stories are as powerful, inspiring, and terrifying as the goddess herself. And in fact, these are the stories of the goddess. As women, we know her because we are her. Each woman, no matter how powerless she might feel, is a cell within her vast form, an embodiment of her essence, and each woman's story is a chapter in the biography of the sacred feminine.
Venus, a beautiful, good-natured lady, was the goddess of love; Juno, a terrible shrew, the goddess of marriage: and they were always mortal enemies.
Love is merely a madness; and, I tell you, deserves as well a dark house and a whip as madmen do; and the reason why they are not so punish'd and cured is that the lunacy is so ordinary that the whippers are in love too.
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