A Quote by H. M. Tomlinson

There is something about a voyage you are barely aware of while you are making it. — © H. M. Tomlinson
There is something about a voyage you are barely aware of while you are making it.
Publishing a book is a great thing, and I'm grateful, but it's also a horrible, exposing thing. Once you've published a book, you never write quite as freely again. You're aware, from that point onward, of the kinds of things critics might say about it. You're aware of the kinds of things your publishers might like and dislike about it. You're half-aware of marketing strategies - of all the stuff around the book. Whereas with your very first piece of fiction, if you're lucky, those things barely occur to you at all.
The duty of the artist is not to be calculating in any sense, so that he may be free himself of human emotions while carried by the universal forces of life. Only then does one not think about making art, or about styles, or directions. Something comes about, something happens.
Making a movie is like making an ocean voyage, and the script is your ship.
While I was making 'Coraline' I barely got to see any films at all, so I've got a lot of catching up to do.
Love is a dangerous thing. It comes in disguise to change our life... Lust is the deceiver. Lust wrenches our lives until nothing matters except the one we think we love, and under that deceptive spell we kill for them, give all for them, and then, when we have what we have wanted, we discover that it is all an illusion and nothing is there. Lust is a voyage to nowhere, to an empty land, but some men just love such voyages and never care about the destination. Love is a voyage too, a voyage with no destination except death, but a voyage of bliss.
Designers are optimistic people who are trained to be courageous about the future—and making the future happen. They aren’t always aware of the intricacies of operations and the impacts of the solutions they propose, just like entrepreneurs, but they aren’t afraid of confronting a blank piece of paper (or screen or board) and getting to work making something new.
I used to be quite negative about going back to Greece and making something, but there is a certain kind of freedom that I've experienced while I was making films in Greece that is hard to replicate elsewhere.
My family's dream, and my own, was to live in Israel, and our eventual voyage to the port of Jaffa was like making a dream come true. Had it not been for this dream and this voyage, I would probably have perished in the flames, as did so many of my people, among them most of my own family.
You can't very well live in a castle while your kin is on the poor side of town and barely have enough food. Some want you to get to the top and rely on you making it for them, too.
I became really aware that when you're making a movie, you're making it three times. You're making it when you're writing it. You're making it when you're shooting it. And then you're remaking it again when you're editing it.
Jungians such as Joseph Campbell have generalised such journeys into a set of archetypal events and images. Though they can be useful in criticism, I mistrust them as fatally reductive. “Ah, the Night Sea Voyage!” we cry, feeling that we have understood something important — but we’ve merely recognised it. Until we are actually on that voyage, we have understood nothing.
I'm always looking to make something that didn't exist before, fumbling about in the dark, not just while making a collection. The search for something new is a constant in my everyday life. But constantly searching for something new is like looking for a well in a desert.
We see and understand more about our behaviors. We come aware. And aware. And aware. . . Often, we feel uncertain about what to do with all this awareness.
Heavy Connection is just basically about psychic stuff...it's kind of about connections that you're not normally making. It's like a fate number where you're making psychic connections that you're not really aware of but they're there.
The world's a ship on its voyage out, and not a voyage complete; and the pulpit is its prow.
There is something about someone making a fantastic sandwich, taking care to spread lots of mayo all the way to the edges. Making sure every bite has a bit of everything in it. There's something special about that.
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