A Quote by H. R. Giger
You know I was curious - I was interested in all kinds of mystery or deeper meanings in the paintings because I myself have not analyzed why they have turned out like this or like that.
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I'm not an expert in the deck at all. My interest lies somewhere near a sense that words are like tarot cards, and that a poem manipulates unpredictable depths with its words. . . . I like the tarot because it works like poetry and because you don't really have to 'believe in' anything. It's there to be used. The symbols are remarkably durable and beautiful; they float out to encompass all kinds of meanings.
My characteristics [of Ideal Black Man.] aren't as specific. I'm more general. I'm more like, I have to be able to talk to him. You know, we have to have good communications. He has to be interested in the world. You know what I mean. Like interested in learning and adventurous and curious, 'cause that's what I am. He has to be passionate about something. And it would be nice if he had a job. It's not like he has to have an MBA.
When I was an actor in some movies a long time ago, I was so curious about all the camera movements - why is the camera placed here, and why does it move like this? And why the set and the background, the color? It's a lot of questions for me to ask, because I was so interested, not only in acting, but also the whole process of filmmaking.
If I were writing about Picasso and pointed out that he painted women because he was interested in the female form, that would seem like an obvious point. I don't know why people revolt when I point out that Rockwell painted the male figure and was interested in it.
I don't like the slasher stuff, myself, but I do like the psychological horror of Roman Polanski and that world. But, it's curious to me why people do like to be afraid.
I don't like the slasher stuff, myself, but I do like the psychological horror of Roman Polanski and that world. But, it's curious to me why people do like to be afraid.
I think that people tend to look at the paintings as being resolved or finite. But, to me, a painting can be an index for all of the paintings I've done and all of the paintings I'm going to do. It's like if I'm doing a film of the Olympics, I'm not examining a specific sport; I'm interested in the overall context.
I've always been very interested in ensemble work. One reason why I don't go out and do a stand-up act is that I did it once and I found it unsatisfying. I don't really like being out there by myself. I like reacting with other people.
But as we shall see, Roosevelt, through a combination of events and influences, fell deeper and deeper into the toils of various revolutionary operators, not because he was interested in revolution but because he was interested in votes.
When we meet, I'm interested and I'm curious about what he's doing because he's burning a number from a client. And I'm like, 'Who is this?' and my girlfriend's like, 'That's a drug dealer. Stay away from him.'
I didn't really because I know myself well enough to know that if I actually sit down and think about sort of I can spook myself out like anyone, you know? It's sort of like you've got to sort of jump out of the airplane when you're skydiving. If you spend 20 minutes sitting on the lip you probably won't do it.
The way I look at it within myself, why not? Why can't I be the MVP of the League? Why can't I be the best player in the League? I don't see why-why-why can't I do that? I think I work hard, I think I dedicate myself to the game and sacrifice a lot of things at a young age and I know if I continue to do good, what I can get out of it and if that's me going out or doing whatever, I'm willing to do it because I know in the long run, it's going to help me.
I got on the phone with the president of my label and I said, "Obviously, I write songs in a lot of styles and play a lot of different kinds of music. We're getting toward the end of our business collaboration. If you could envision a record that you wanted to hear from me, what kind of record would it be?" It wasn't like asking him to fill an order, it was really just a conversation. For all the things I'd ever asked him, this was one thing I'd never asked, and I don't know why. So I was curious. And the thing that he was most interested in hearing was a solo record.
We don't like mystery. You like mystery, 'cause it's not a mystery to you; you know when you're gonna get laid.
I thought I wanted to be an electrical engineer, which I turned out to be. But I was always curious about other things too, and what if I got interested in history or the law?
The mirror is a powerful tool because it forces you to deal with yourself on a deeper level. Conceptually, paintings are like mirrors. They're an expression from the artist: 'This is how I view the world - I'm presenting it to you.'
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