A Quote by H. W. Janson

Originality, then, ultimately distinguishes art from craft. We may say, therefore, that it is the yardstick of artistic greatness or importance. — © H. W. Janson
Originality, then, ultimately distinguishes art from craft. We may say, therefore, that it is the yardstick of artistic greatness or importance.
Strive for originality in thought and action. Be first; Be different; And be daring. Only then will you make a significant difference in this world. You may even attain greatness.
Originality is another criterion of aesthetic value. We may formulate an originality principle, according to which highly valuable works of art provide hitherto unavailable insights.... Notice that, although originality is a necessary condition of high aesthetic value, it is far from a sufficient condition. Many original works have little or no aesthetic value. An artwork may present a novel but uninteresting perspective, or one that is original but wrong.
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
The difference between art and craft lies not in the tools you hold in your hands, but in the mental set that guides them. For the artisan, craft is an end in itself. For you, the artist, craft is the vehicle for expressing your vision. Craft is the visible edge of art.
We will never get great art from women if their education exposes them only to the second-rate and if the idea of greatness itself is denied. Greatness is not a white male trick. Every important world civilization has defined its artistic tradition in elitist terms of distinction and excellence.
I don't believe too much in originality... you learn art from other art and then looking into somebody's face or landscape is the point of departure to do your work of art.
Craft' gets a bad rap. Mediocre art is not caused by craft; it is caused by artists. Good art employs whatever craft works best.
If you want to be considered a poet, you will have to show mastery of the petrarchan sonnet form or the sestina. Your musical efforts must begin with well-formed fugues. There is no substitute for craft... Art begins with craft, and there is no art until craft has been mastered.
There is no life which does not possess its own importance, no life which may not be touched by greatness at any time -- Yes, be touched by greatness and have a hand in it. (from The Mirror of Her Dreams)
If art is singular expression, then by nature, the best art is controversial. But when art stirs debate for reasons besides its artistic integrity, that's when things get bent.
The character of greatness must be measured in two ways, else the measurement is flawed. First, and by far most popular of all, is by one's ability to succeed in times of trial where others may fail. But of no less importance, and perhaps foundational to any form of greatness, is one's willingness to start over in spite of failure, when success seems farthest away.
Art stands on the shoulders of craft, which means that to get to the art, you must master the craft.
A people may become great through many means, but there is only one measure by which its greatness is recognized and acknowledged. The final measure of the greatness of all peoples is the amount and standard of the literature and art they have produced.... No people that has produced great literature and art has ever been looked upon by the world as distinctly inferior.
Art is not great. Music is not great. It's just that they tickle us. When one steadfastly refuses greatness - then and then only can the wonderful thing we call art be created.
Gradually, ... the aspect of science as knowledge is being thrust into the background by the aspect of science as the power of manipulating nature. It is because science gives us the power of manipulating nature that it has more social importance than art. Science as the pursuit of truth is the equal, but not the superior, of art. Science as a technique, though it may have little intrinsic value, has a practical importance to which art cannot aspire.
The place has had a super-conflicted relationship to its mission. In 1956, it opened as the Museum of Contemporary Crafts. Then in 1986 it had a midlife crisis and changed its name to the American Craft Museum. Then in 2002 the name changed again, this time to the Museum of Arts and Design. Maybe in 2025 the place will be called the Designatorium. The big problem with a museum of craft and design is that all art has craft and design.
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