A Quote by Ha Jin
I don't think of myself as a dissident, and I'm more of an immigrant than an exile.
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Probably all of us, writers and readers alike, set out into exile, or at least into a certain kind of exile, when we leave childhood behind...The immigrant, the nomad, the traveler, the sleepwalker all exist, but not the exile, since every writer becomes an exile simply by venturing into literature, and every reader becomes an exile simply by opening a book.
No country has been more invigorated by immigrant culture, more rewarded by immigrant labor and immigrant ideas than America.
Exile is more than a geographical concept. You can be an exile in your homeland, in your own house, in a room.
For immigrant generations especially, family is the first structure, or shelter, for a people who are in exile.
I'm Jewish. That's all. So I am in exile all the time. Wherever we go, we are in exile. Even in Israel, we are in exile.
exile is strangely compelling to think about but terrible to experience. It is the unhealable rift forced between a human being and a native place, between the self and its true home: its essential sadness can never be surmounted. And while it is true that literature and history contain heroic, romantic, glorious, even triumphant episodes in an exile’s life, these are no more than efforts meant to overcome the crippling sorrow of estrangement.
Considering our history, I can think of nothing more American than an immigrant.
I'm 68 years old, and I'm as much a criminal now as I was at the age of 22. And, I'm even more of a dissident than I was then.
Often when we think of exile we think of destruction or loss. But the Dalai Lama always says exile is reality, it's something we can make use of, and he has used it to get rid of everything that he thought was stifling and old, and to create a new, improved and much healthier Tibet.
...despite all this, it is still hard to admit that there is no one more English than the Indian, no one more Indian than the English. There are still young white men who are angry about that; who will roll out at closing time into the poorly lit streets with a kitchen knife wrapped in a tight fist. But it makes an immigrant laugh to hear the fears of the nationalist, scared of infection, penetration, miscegenation, when this is small fry, peanuts, compared to what the immigrant fears - dissolution, disappearance.
Now, my co-mates and brothers in exile,
Hath not old custom made this life more sweet
Than that of painted pomp? Are not these woods
More free from peril than the envious court?
Dalai Lama has made new opportunities for women that they never had in Tibet, introduced science into the monks' curriculum and had Tibetan students in exile take their classes in English after the age of ten so that they will know more about the outside world. But one of the great things he's done is to bring all the Tibetan groups together in exile, as perhaps they couldn't have been when they weren't in exile and they weren't under such pressure.
Exile is a dream of a glorious return. Exile is a vision of revolution: Elba, not St Helena. It is an endless paradox: looking forward by always looking back. The exile is a ball hurled high into the air.
However great his outward conformity, the immigrant is not Americanized unless his interests and affections have become deeply rooted here. And we properly demand of the immigrant even more than this. He must be brought into complete harmony with our ideals and aspirations and cooperate with us for their attainment.
The people we call the prophets I think are the earliest dissident intellectuals, and they're treated like most dissident intellectuals - very badly. They're imprisoned, driven into the desert. King Ahab, the epitome of evil in the Bible, condemned Elijah as a "hater of Israel." This is the first self-hating Jew, the origin of the term. It goes right up to the present. That's the history of intellectuals.
We need a more complex understanding of writers working under authoritarian or repressive regimes. Something to replace this simpleminded, Cold War-ish equation in which the dissident in exile is seen as a bold figure, and those who choose to work with restrictions on their freedom are considered patsies for repressive governments. Let's not forget that most writers in history have lived under nondemocratic regimes: Shakespeare, Tolstoy, and Goethe didn't actually enjoy constitutionally guaranteed rights to freedom of speech.
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