A Quote by Ha Jung-woo

There is a streetlight in front of Soo Yeon's house. From there to home, it takes 280 steps. If we have been walking away from each other for 14 years, how many steps will it take to get back? If she doesn't come even if I wait, that doesn't mean that she abandoned me.. it means she is on her way.
SHE is neither pink nor pale, And she never will be all mine; She learned her hands in a fairy-tale, And her mouth on a valentine. She has more hair than she needs; In the sun ’tis a woe to me! And her voice is a string of colored beads, Or steps leading into the sea. She loves me all that she can, And her ways to my ways resign; But she was not made for any man, And she never will be all mine.
She was getting used to his rhythms and his moods, recognizing the quiet signals that telegraphed who he was. Good and bad, strengths and faults, he was hers forever. As she pulled into the driveway, she spotted Logan coming down the steps from the house, and she waved. She was his forever, too—imperfect as she was. Take it or leave it, she thought. She was who she was. As Logan walked toward her, he smiled as if reading her mind and opened his arms.
She was born Sarah Breedlove on a plantation in Delta, Louisiana, where her parents had been slaves. At 14, she married to get a home of her own, to get away from a cruel brother-in-law with whom she was living. At 17, she had her only child, A'Lelia, who I'm named after.
Once, she made a boy come out of his house and kiss her under the streetlight. It was her first kiss. She thinks it was probably his, too. She never told him and she never, ever will.
She is sitting on frozen ground wrapped in a blanket, her pale skin shining. She smiles and she stands and without words, she steps forward, opens the blanket, envelops me within it and within her and within myself. She kisses my cheek, the one not torn, she wraps me and she holds me. Her arms are thin but strong. She whispers in my ear, "I'm glad you're here.
She knows where she's going, and what she has to do. She could, after all, find her way to Route 95 South blindfolded. She could do it in the dark, in fair weather or foul; she can do it even when it seems she will run out of gas. It doesn't matter what people tell you. It doesn't matter what they might say. Sometimes you have to leave home. Sometimes, running away means you're headed in the exact right direction.
I didn’t get her cutting at all. She’d done it sporadically, ever since the accident and it scared me each time. She'd try to explain it to me, how she didn't want to die—she just needed to get it out somehow. She felt so much emotionally, she would say, that a physical outlet—physical pain—was the only way to make the internal pain go away. It was the only way she could control it.
The next time she comes back, no matter what she says, listen to her well. If she cries, give her a handkerchief and wait until she's done crying. If she curses me, curse with her. And if by any chance she asks about me, tell her that I'm sorry.
Sister," he murmured, not as an inquiry, but a statement of fact. "Brother mine," she groaned... before her consciousness slipped from her grasp and she drifted away. But she would come back to him. One way or the other, she would not leave her twin ever again.
Zoe Saldana is such an angel. She’s got such an openness and vulnerability on camera and yet such great strength. She can kick ass with the best of them, but then she can soften and open up in a way that is magnetizing whether you’re watching her on set or on screen – she’s got a real power to her. I love her; we’ve known each other for years and it’s great to come back to that kind of familiarity, especially when you’re working with such intimacy.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
With his back to us, Sean tugs the halter from the mare's head. She kicks out, but he steps out of the way as if it were nothing at all. With a shake of her mane, she leaps mightily into the water. For a moment she struggles over the waves, and then she is swimming. Just a wild black horse in a deep blue sea full of the ashes of other dead boys.
My mom, she got taken away from me when I was 14 years old. She is incarcerated. My sister was incarcerated. I was homeless. When my mom went away when I was 14... I was forced to live with my aunt. My aunt, she doesn't like rap music. She thinks rap music is the devil's music. Basically she said, "Yo, if you are going to do music you can't do it in my house."
He bent, lips coming to mine and — 'Derek? Chloe?' It was Kit, opening the back door. Derek let out a low growl. 'Never fails.' I turned to Kit. 'How is she?' 'We’re going to take her back to the house now. She’s unconscious again.' 'Then we’ll walk back,' Derek said. 'Give you room in the van to lay her down.' His dad agreed and went back inside. As we walked toward the steps, I looked down at Derek’s hand, holding mine. 'No one’s around,' he said. 'And we can take the back way.' 'Good,' I said, and entwined my fingers with his.
Do you know what happens when an Arabian woman dances? She does not dance: she protests, she loves, she cries, she makes love, she dreams, she goes away from her reality, to her own world, where love is really meant and she does not want to come back, because that is her reality.
Soledad Barrio is clearly a master - of thrilling steps and passionate movement. She stalks, she circles, she struts, she snaps her head - her feet drill the stage.
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