A Quote by Haile Gerima

A lot of young black people in America, and even in Africa and Brazil, would say that they are telling their story, but most of the films are like application forms with the formulaic ideas of Hollywood.
Audiences want great story telling; it's why white people watch my show 'Black in America.' It's why black people watch 'Latina in America.' All of that is statistically shown and proven but it was because it was good story telling about people who were outsiders.
I know a lot of people who enjoy rap music who aren't black. You can't just say it's black music. To segregate films the way Hollywood likes to segregate films, ultimately everyone loses.
It's almost like a lot of black people in America, a lot of young black men, are born with this cloud over their heads. It's their penitentiary cloud, this philosophy we all have, that it's harder for us.
Most of the ancestors that I can trace were born here in the United States of America. And then it goes back to slavery. And I'm sure my ancestors go all the way back to Africa, but I feel more of an affinity for America than I do for Africa. I'm a black man in America.
I wanted to make a black story about South Africa. Unfortunately, no producer in the United States would put one penny into a black story.
I'm not signing on to direct 'Black Panther.' I think I'll just say we had different ideas about what the story would be. Marvel has a certain way of doing things, and I think they're fantastic, and a lot of people love what they do. I loved that they reached out to me.
This is our story to tell. You’d think for all the reading I do, I would have thought about this before, but I haven’t. I’ve never once thought about the interpretative, the story telling aspect of life, of my life. I always felt like I was in a story, yes, but not like I was the author of it, or like I had any say in its telling whatsoever.
When I was writing my first novel, 'Where the Line Bleeds,' which had young black men as its main characters, I was very invested in telling the story and also very worried about the effects the story would have.
Many times, I get young people asking, 'What do you think about black movies?' And I say, 'What are you talking about? You mean Hollywood movies that have black people in them?' It's gone back to that, and that's not the same thing as a black movie.
People always say 'You do racial comedy.' And I don't, exactly. I do cultural comedy. Because race and culture are two different things. There's black people from America and then there's black people from Africa. Racially, they're the same; culturally, they're extremely different.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
I have just as much right to stay in America - in fact, the black people have contributed more to America than any other race, because our kids have fought here for what was called "democracy"; our mothers and fathers were sold and bought here for a price. So all I can say when they say "go back to Africa," I say "when you send the Chinese back to China, the Italians back to Italy, etc., and you get on that Mayflower from whence you came, and give the Indians their land back, who really would be here at home?"
They say African Americans. I say black people. I've only been to Africa once. I've been in America all my life!
In recent years I have become more interested in making the critical ideas that I love teaching and talking about available in more forms, because many people prefer to engage with ideas in films, infographics, comics and other forms that are not traditional books or articles.
Brazil has a lot of issues that are similar to a lot of countries in Latin America, but the dominant issue Brazil is dealing with is poverty and political corruption.
We get a lot of emails, a lot of suggestions on the kinds of ideas and things that people would like to do. There's a lot of good ones, but a lot of them are something that the franchise couldn't or wouldn't endorse, just as being not consistent with what the NBA would want or, probably, what we would even want, too.
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