A Quote by Hailey Gates

This idea of 'laicite' has been weaponized, in a way, to discriminate against people, and this idea of who gets to be French is really complicated and interesting.
I certainly felt I had an idea of World War II, and it's probably the idea that many people share: there was this insane aggressor, and there was really only one way to proceed in resisting him. What I didn't realize is that there were many voices belonging to reasonable, interesting, complicated people who had a different way of interpreting the possible responses to the Hitlerian menace.
The really good idea is always traceable back quite a long way, often to a not very good idea which sparked off another idea that was only slightly better, which somebody else misunderstood in such a way that they then said something which was really rather interesting.
Learn about the world, the way it works, any kind of science and anthropology, it's really an interesting place we live in. Evolution is a really fantastic idea, even more than the idea of God I think.
When you then establish the law that says you can't discriminate against people who are homosexual, what you're really saying is you're putting the power of law behind the idea that these are people who cannot change and therefore we must protect them from other people who disagree with them.
It wasn't a new idea. During the war against the French we had this kind of broadcast for the French soldiers.
We have to reappropriate the concept of laicite (secularism) so we can explain to our young pupils that whatever their faith, they belong to this idea, and they're not excluded. Secularism is not something against them; it protects them.
The idea of, say, the compressed space between the floor and the object hanging over it and then the long space between the object and the ceiling was a kind of interesting idea for me - the idea of compressing and expanding. That was an idea that I worked with, which you could only do sculpturally. You can't really do with a painting on the wall.
You never know what little idea or joke, what flame flickering really quickly, will become a song. That first idea, it can come any time. If it's in Spanish, you go on in Spanish. If it's in French, French. If it's in English, English. Or Portuguese. I'll try to do my best. I like Italian, though I don't speak it much.
I used to say that I didn't want anything to do with e-mail. It seemed really impersonal, complicated and weird. I had no idea what an amazing way it is to reach people.
I think for really good-hearted people, that idea of putting yourself in the shoes of a monster to figure out why they acted that way, that's a really frightening idea.
I think people are uncomfortable seeing pregnant women, particularly with any kind of conflict. [Pregnancy is] very much a projection of life and love, but it's also very complicated. People have very complicated pregnancies. They could be accidental or people suffer depression, and that was a really interesting thing for me. And a challenging thing. I have not been pregnant. I don't know what that's like, let alone to be really conflicted about it. Acting in the film about pregnancy was a really interesting thing to do.
Ideas are nothing. They're irrelevant. If you think your idea is so important, you're doomed. The reality is if you don't like one idea, I've got 299 more. If I tell you my idea, and you can execute better against that idea than I can - great; I get to play a terrific game.
If you don't like an idea, put another idea against it! If you use your fist against an idea that you don't like, you only prove how horribly primitive you are!
Everyone has an idea, but it's really about executing the idea and attracting other people to help you with the idea.
We've been in lots of places that I suppose, by Oxford standards, would be considered illiterate, but everyone's completely conversant with the idea that here is a number, and that number is above it, and that's too high. It's not a very complicated idea.
The way Fatboy Slim layers motifs is the same as 18th-century baroque counterpoint. You have an idea, then you have an answer to the idea in another voice, then you have a counter idea accompanying the original idea, and you build up your texture like that. I'm really into Kruder and Dorfmeister at the moment, and they do the same thing.
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