A Quote by Hal Blaine
You gotta understand also that teenage kids just don't have the experience and the studio technique. I mean, in those days it wasn't electronic like it is today, where you can hit a drum and, you know, the engineer does it all. In those days, everything was live and you had to have decent sounds, and through the years you get to weed out what's bad and what's good.
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You choose to be happy, and in life we have as many good days as bad days. I try to find and record those songs that pull you through the bad days, and keep you believing that the good days are just around the corner.
I know what it feels like to struggle with your weight, and it makes me understand why women get attached to numbers on a scale or a dress size. It doesn't mean that I have gotten over all of it myself, because I have good days and bad days just like everyone else.
This is about all the bad days in the world. I used to have some little bad days, and I kept them in a little box. And one day, I threw them out into the yard. "Oh, it's just a couple little innocent bad days." Well, we had a big rain. I don't know what it was growing in but I think we used to put eggshells out there and coffee grounds, too. Don't plant your bad days. They grow into weeks. The weeks grow into months. Before you know it you got yourself a bad year. Take it from me. Choke those little bad days. Choke 'em down to nothin'. They're your days. Choke 'em!
When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.
Who you are as a person is more special than trying to be someone you're not. Don't get me wrong - I have bad days, everyone does, but I know if I'm feeling insecure today, I'll move on tomorrow. I'd tell girls to realise it's OK to have bad days to get to the good ones.
I don't have too many bad days because I just don't let them happen. When I'm having one of those days, I'll just be like. 'I'm not going to let this be a bad day,' and I'll do everything I can to turn it around.
Everyone goes through bad days, but that does not mean you should stop enjoying the good days.
You know, because you outline a movie, it kinda comes at the same time. I mean, there are days when you are just concentrating on 'ok, let's worry about just comedy today,' and there are days when you're like 'you know what, we gotta just beef up the story.'. But, it's not like process wise it's that technically separate. One informs the other, so they kinda all happen together ideally.
I never considered myself a supermodel or anything like that. I mean, I don't think I'm ugly. I have good days and bad days, and I like when I'm fit and lean and all of those things that any woman likes, but it's not the eye of the hurricane for me.
I have the barn, it's just kind of like a studio. Almost all artists have la studio to work in, and that's really what it is. A place to get away. I'll spend maybe four days out there if I can, just completely immersed - like where I don't bathe or brush my teeth for a few days, just get up and make coffee and experiment until the sun goes down.
There's something to be said for useless
days. You know, those days when you
have nothing to do and all day to do it ...
Trust me, a beach and a bottomless drink
may not cure the world's problems but it
can really get your head in the right place.
Those are my favorite kind of days.
You may have good days, there may be more bad days than good days, but on the good days you have to push yourself, get the most out of it as you can.
I try to work out six days a week, you know, weights two days a week, and I try to run those six days, so I get good cardio.
In 1977, I had Paul Rivera hotrod six Fender Deluxes for me. At that time, a lot of studio guys in L.A. were using those - not so much live guys but studio guys. They had terrific tone and great technique, and I was like, 'Well, I like having terrific tone even though I don't have any technique.'
Someone once said that there are probably seven naturally good singing days in a year-and those are days you won't be booked. What we must learn is how to sing through all the other days.
When the news is slow, or when there's just so many other responsibilities bearing down on me that I don't have the time to do it right, that's when it gets frustrating. As an artist, you just don't wanna put bad work out. So when you have to do it seven days a week, you're just gonna have some bad days and bad weeks and bad months and bad years.
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