A Quote by Hal Borland

Summer ends, and Autumn comes, and he who would have it otherwise would have high tide always and a full moon every night. — © Hal Borland
Summer ends, and Autumn comes, and he who would have it otherwise would have high tide always and a full moon every night.
The moon is at her full, and riding high, Floods the calm fields with light. The airs that hover in the summer sky Are all asleep to-night.
It is the middle and pure height and whole of summer and a summer night, the held breath, of a planet's year; high shored sleeps the crested tide: what day of the month I do not know, which day of the week I am not sure, far less what hour of the night.
On the night that the Second World war was declared, there were crowds in the street. It was a summer's night and there was a blackout. On every side you heard people crying: 'Look at the moon!' The moon had been there every minute of their lives and they'd never seen it.
Lyric night of the lingering Indian Summer, Shadowy fields that are scentless but full of singing, Never a bird, but the passionless chant of insects, Ceaseless, insistent. The grasshopper's horn, and far-off, high in the maples, The wheel of a locust leisurely grinding the silence Under a moon waning and worn, broken, Tired with summer.
There was just one moon. That familiar, yellow, solitary moon. The same moon that silently floated over fields of pampas grass, the moon that rose--a gleaming, round saucer--over the calm surface of lakes, that tranquilly beamed down on the rooftops of fast-asleep houses. The same moon that brought the high tide to shore, that softly shone on the fur of animals and enveloped and protected travelers at night. The moon that, as a crescent, shaved slivers from the soul--or, as a new moon, silently bathed the earth in its own loneliness. THAT moon.
Admit something. Everyone you see, you say to them "Love me." Of course you do not do this out loud: Otherwise, Someone would call the cops. Still, though, think about this, This great pull in us to connect. Why not become the one Who lives with a full moon in each eye That is always saying, With that sweet moon Language What every other eye in this world Is dying to Hear?
It is a sad moment when the first phlox appears. It is the amber light indicating the end of the great burst of early summer and suggesting that we must now start looking forward to autumn. Not that I have any objection to autumn as a season, full of its own beauty; but I just cannot bear to see another summer go, and I recoil from what the first hint of autumn means.
Autumn truly is what summer pretends to be: the best of all seasons. It is as glorious as summer is tedious; as subtle as summer is obvious; as refreshing as summer is wearying. Autumn seems like paradise.
From when I was a really small girl on, I would pick every fabric, every color on the walls, and I was always redecorating. Like once every couple of months I would redecorate my room. I had a full wall that was all collage - the entire wall - when I was in junior high. And then it would kind of morph with me as I was growing.
There are a thousand flowers blossoming in spring, The magical light of the full moon in autumn; There is a breeze in summer, And snow in winter; And if vanities don't hang in my mind, I shall rejoice at any time and place.
Outside the leaves on the trees constricted slightly; they were the deep done green of the beginning of autumn. It was a Sunday in September. There would only be four. The clouds were high and the swallows would be here for another month or so before they left for the south before they returned again next summer.
My granda always told me that fall's the time to root up something you don't want coming back to trouble you.' Kote mimicked the quaver of an old man's voice. 'Things are too full of life in the spring months. In the summer, they're too strong and won't let go. Autumn...' He looked around at the changing leaves on the trees. 'Autumn's the time. In autumn everything is tired and ready to die.
Moon and Sea You are the moon, dear love, and I the sea: The tide of hope swells high within my breast, And hides the rough dark rocks of life's unrest When your fond eyes smile near in perigee. But when that loving face is turned from me, Low falls the tide, and the grim rocks appear, And earth's dim coast-line seems a thing to fear. You are the moon, dear one, and I the sea.
The harvest moon has no innocence, like the slim quarter moon of a spring twilight, nor has it the silver penny brilliance of the moon that looks down upon the resorts of summer time. Wise, ripe, and portly, like an old Bacchus, it waxes night after night.
That it would always be summer and autumn, and you always courting me, and always thinking as much of me as you have done through the past summertime!
The common thread between 'Moon Shoes' and 'Midnight Moonlight' would definitely be their connection to the moon. However, I feel they both capture a very different quality of the moon. Perhaps 'Moon Shoes' epitomizes the moon during the summer, while 'Midnight Moonlight' the winter.
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