A Quote by Hal David
Pop songs are not as graceful as they used to be. Performers today haven't gone through the regimen of learning how to write. And of course, everyone wants to own copyrights.
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Pop songs are not as graceful as they used to be. Performers today haven’t gone through the regimen of learning how to write. And of course, everyone wants to own copyrights. Rap culture is interesting and different and has purpose, but it has a non-romantic view of life and of social feelings. There may be a void in that.
I like to write pop songs and the stuff I write is fairly poppy, so I thought maybe my lot in life was to write pop songs for people. It never felt right writing songs for other people to sing, though.
It used to be that you would go into a writing program and what you would learn was how to write a short story. You would pick up the magazines and you would be taught from the magazines how to write a short story. Nowadays student writers are learning to write novels because that market is gone, so the ones who are drawn to the form are doing it really for reasons of their own and that's really exciting.
When I am seriously composing, sometimes a phrase will come into my head, a catch phrase. When I was writing pop songs for a few years, as a career, separate from my folksinging career, I used to write songs for pop singers.
Write your own music and write frequently. Go to as many live shows as you can as well (of bands you enjoy of course). You can learn a lot watching other performers.
I'm still looking for the rules of what is and isn't pop music. I'm pop. I mean, of course I am. What isn't pop? There should be a pop amnesty where everyone reclaims it.
I used to make everything myself. I used to do my own hair, make my own costumes, write my own jokes, and write my own songs. There were definitely some days where I had to choose between having tights that didn't have holes in them or having to buy makeup or something I needed for a show.
The songs that I'm able to write are the songs I'm able to write, whatever they may be. The path I've cut for myself is pop music - love-y pop music. That's what I enjoy doing. And I don't think I'm going to get sick of it anytime soon.
Everyone wants to get into soundtracks. Everyone wants to do songs here and there. But, I think they want it for different reasons. I think I'm just tumbling through my life, enjoying playing with everybody.
I bought a guitar when I was twenty. But I didn't write a song until I was 25 or 26. I never learned to play others songs. I learned to play my own songs while I was learning how to make them better.
We kind of write pop songs, but we don't fit in the pop world. We're really bad at being pop stars and walking down red carpets. We've got our own little bubble, which we really like. We've learned to really like that.
Not to name names, but a lot of pop female artists you see, they don't write their own songs. Lot of top male artists and boy band artists, they don't write their own songs. They're just a product. They sell, they sell, they sell. They don't care about musical integrity, any of that kind of stuff.
The industrial thing came about mainly through giving up trying to write pop songs in the early '90s. I don't think I was ever very good at pop music and as soon as I stopped trying, and started to write more the things I loved, it became much heavier and more aggressive.
I'm used to making songs; that's how I learned to make music. My structures will always be more like pop songs than dance tracks.
As a kid, I used to sit there and figure out how to play everybody's song, and through learning all those songs I learned how to put chords together, and it evolved till I could say, 'Hey, I just wrote that.'
You can only write so many pop songs before they all sound the same. I got to a point where something overtly melodic and straightforward sounded sort of cheesy to me. Pop songs seemed too manufactured.
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