A Quote by Hal Duncan
I started thinking about the endless bullshit about quotas, and how certain types of character are fine "as long as it's important to the story," and so on, started thinking about the absence of the abject.
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I read about eastern philosophy and religion and existentialism. All that introspective thinking got me thinking about the great beyond. That turned my sights from inwards to outwards, and I started becoming interested in the makeup of the universe, and I started reading about astronomy, planets, and galaxies.
In 2008, I was more just thinking about using the touchscreen for writing the songs. From there I started thinking about how I visualised music.
I love humor in writing, so I've written to the thing that's funny, there's the joke, but then I just kept going. I started thinking about all the bikes I've had stolen, and that got me thinking about crime, and that got me thinking about the city I'm in.
Then I went for a run with the other dog and just walked. And I started thinking about a lot of things. I was able to - I can't remember what it was. Oh, the inaugural speech, started thinking through that.
For a long time I was lost. My life got a lot better when I stopped thinking about my life and started thinking about my work and the purpose of that work.
When I started thinking about 'Mr. Robot,' I thought about it as a movie, and I thought about the complete arc, and that is the one story I'm going to tell.
When I turned 25, something changed in me. I see children in my future 100%. Soon. I started thinking I want my kids to look back and say, 'Wasn't Mummy amazing?' I've really started thinking about what I'm leaving for them.
When I get in the car I love my wife and kids more than anything, but I'm not thinking about that side of things. I'm thinking about the car, I'm thinking about the race and I'm thinking about how to make the car faster.
You're in a movie, so you have to think about how something plays. It's not like you're thinking about how an audience is going to react. You're trying to present the story. You're trying to illuminate the lives of these people in the story. So I'm thinking about how my behavior as this character best illuminates what's going on with them in this moment in time. I always say it's sort of the director's job. People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.
I was thinking about framing, and how so much of what we think about our lives and our personal histories revolves around how we frame it. The lens we see it through, or the way we tell our own stories. We mythologize ourselves. So I was thinking about Persephone's story, and how different it would be if you told it only from the perspective of Hades. Same story, but it would probably be unrecognizable. Demeter's would be about loss and devastation. Hades's would be about love.
It's a beautiful book [Into the Forest], so for those who are thinking about reading it, they absolutely should. First and foremost, I just devoured it, as a story. At that time, and still, it just encompassed a lot of things that I was thinking about, and that the world is thinking about, with society's relationship to the environment, our personal relationship to it, and how disconnected we are from it, myself included.
My thought process when I'm on the court is always thinking about getting better, and thinking about how I'm playing. Thinking about it as a process, as the big picture and what I need to work on, instead of being close-minded and thinking, 'I'm so nervous and have to win this match, if I don't, it'll be the worst.'
When I was 16 was just thinking about the future and - it sounds so stupid - but what my goal was going to be in life. I guess I was thinking about girls too. No girls liked me. That was bothering me. I was thinking about my height - I had a growth spurt right before high school and then that's when sports coaches started coming up to me, but that's when I had this artistic turn.
It's just one of those things. When you're a wrestler you're thinking about one guy, yourself, your character and whatever guy it is you're working with. When you're a writer and you're kind of in a booking type role, you're thinking about the entire roster so you're thinking about wrestling 24 hours a day.
When people asked me, 'What are you going to do?' I'd say, 'I'm going to be an actor,' without really thinking about it. And I started acting without really thinking about it. I only thought about it properly a bit later.
When we are thinking about stuff like embeds, we are not thinking about how we are competing with YouTube. We are thinking about how are we going to make it more useful for people to share stuff on Facebook.
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