A Quote by Hal Elrod

Experience G.R.A.T.I.T.U.D.E. at a deeper level... Give it... Receive it... Affirm it... Think it... Inspire it in others... Talk about it... Understand it... Dream it... Experience it in everything you do.
Experience is the best teacher. But in our day and time, what we need is wisdom, because wisdom overcomes experience, because experience is wisdom, but there's a level of wisdom that overcomes the experience, and that's the experience that's already lived by others. I'm not trying to repeat the histories. I already learned from what they did.
When we desire to be a blessing, we find that there are many ways in which we can bless others. We can give material goods to others, and we can also offer them the benefit of our experience. People who have faced and overcome challenges with alcohol and drugs often involve themselves in helping others who are experiencing similar difficulties. They understand the value of overcoming the problem. In every area of the human experience, we may find those precious ones who are able and willing to be a blessing to others.
Every personal experience of my life impacts my music. I can only give what I have. And when I receive, I give it back. I often fix it or color it differently or give it in my way, but thats what its about.
I wish reporters were more in tune to the difference between the Asian experience and the Asian-American experience. I think often they lump the two together and think that when I talk about Asian-American narratives that they can cite 'Crouching Tiger, Hidden Dragon' or 'Mulan' as proof of concept when it's a different experience.
Experience is the only teacher we have. We may talk and reason all our lives, but we shall not understand a word of truth until we experience it ourselves.
I don't think that anyone should ever give up on whatever it is that they dream of. Obstacles will come their way, but everything is a learning experience and it all works out for the good anyway.
I think everything obviously comes from experience of some kind. It's more about if you closely adhere to that experience or if you extrapolate from it.
How well I walk my talk, and not talk my talk, determines the quality of my engagement, of all my experience with what is quite personally my God. I'm my greatest teacher, and within me, I have the power to push myself deeper and higher.
To experience poetry is to see over and above reality. It is to discover that which is beyond the physical, to experience another life and another level of feeling. It is to wonder about the world, to understand the nature of people and, most importantly, to be shared with another, old or young, known or unknown.
I can understand that there are those who can think and imagine the world without words, but I think that once you find the words that name your experience, then suddenly that experience becomes grounded, and you can use it and you can try to understand it.
We are so numb we don't even know what a direct experience is. We have an experience, then we think about it and we think the thinking about it is the experience.
I think one of the highest compliments you can give a person is that when you are talking to him, you are not thinking about the fact that you are talking to him. That is, your thoughts and words all exist on a single, engaged level. You are being yourself because you aren't bothering to think about who you should be. It is like when you talk in a dream.
When I think about what part of my college experience came back in my work experience, I feel like it was learning how to read deeper, learning how to keep filling the movie up with more and more resonance.
The New Yorker has always dealt with experience not by trying to understand it but by prescribing the attitude to be adopted toward it. This makes it possible to feel intelligent without thinking, and it is a way of making everything tolerable, for the assumption of a suitable attitude toward experience can give one the illusion of having dealt with it adequately.
I think a lot of things are written from experience, but then you become a writer and talk about other people's experience and you tell stories. I mean, you can't just tell your own story all the time.
No one will understand a Japanese garden until you've walked through one, and you hear the crunch underfoot, and you smell it, and you experience it over time. Now there's no photograph or any movie that can give you that experience.
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