A Quote by Hal Hartley
This notion of changing technology interests me. I work on a computer now, and it's not been easy to adjust. I still prefer to have my hands on film when I'm editing.
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I've always been a bit of a mix between art and technology. I used to paint a lot, but I'm not very good with my hands. It has always been a fusion between my computer gaming interests and being exposed to the rich data of society that we live in.
[ Digital revolution ] only has allowed me to work faster, editing digitally, which I'm doing right now, a film on volcanoes. I can edit almost as fast as I'm thinking, editing with celluloid means always searching for this little reel of film, and number it, and scribble on it with some sort of pens, and gluing it together, and working on a flatbed. It's much, much slower.
The dreams of the past - whether it was public TV being rolled into the classroom to teach Spanish, or the film projectors or the videotapes or the computer-aided instruction drill systems - the hopes have been dashed in terms of technology having some big impact. The foundation, I think can play a unique role there. Now, our money is more to the teacher-effectiveness thing, and technology is No. 2, but I'll probably spend more money on the technology things.
I was shocked when I looked at art schools in France. There's only one left that does anatomy. Now they do video. They do editing. I would go to film school if I wanted to do video and editing. In art school, it's only new mediums. It's three-dimensional or computer. I found that shocking. No nudes.
I think I learned most from editing, both editing myself and having someone else edit me. It's not always easy to have someone criticize your work, your baby. But if you can swallow your ego, you can really learn from the editing.
Editing is where movies are made or broken. Many a film has been saved and many a film has been ruined in the editing room.
I have long been alarmed by people's sheeplike acceptance of the term 'computer technology' - it sounds so objective and inexorable - when most computer technology is really a bunch of ideas turned into conventions and packages.
Computers are still technology because we are still wrestling with it: it's still being invented; we're still trying to work out how it works. There's a world of game interaction to come that you or I wouldn't recognise. It's time for the machines to disappear. The computer's got to disappear into all of the things we use.
I definitely prefer directing, hands down. I'm a lazy writer and it wasn't until I got into directing that I now have a real impetus when I'm sitting at my computer. Now that I know what it's like to get to bring characters and their stories to fruition, I'm addicted. I'm a junkie. I want more.
History has shown that time and market forces provide equilibrium in balancing interests, whether the new technology is a video recorder, a personal computer, an MP3 player, or now the Net.
I am super lucky. I've been in the area where things have been changing and been part of the digital revolution, the magic of software, the internet, the computer, and now the cellphone... so it's been a great privilege.
I'm a big proponent of mandatory computer science education. I think the first step is educating policymakers that technology is changing the way that we live and work, and it's happening so fast.
Most technological advances in our life now come from serendipitous discoveries. That is a contraction of rocket technology and computer technology and atomic clock technology.
But now with technology I could sit down and do a bunch of character drawings and scan them into a computer, and the computer using my exact style could bring it into life, where it would have been edited by various human beings before.
Gene therapy technology is much like computing technology. We had to build the super computer which cost $8 million in 1960. Now everyone has technologies that work predictably and at a cost the average person can afford.
The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.
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