A Quote by Hal Holbrook
When the audience begins to see the sunrise on that it's hard for them to turn away from it because they're listening to a man talking to them from over a century ago. And nothing has changed. So what are you going to do about that?
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I never think of my work as writing for a young audience, frankly, because I think it risks talking 'down' to them. The idea is for these books to work just as well as for adults as kids. As for what readers will take away, I just want them to love being in the world and see it as a safe place to explore things that adults are often uncomfortable talking to them about.
Diversity is essential to the success of the news industry, and journalists must include diverse voices in their coverage in order to reach a broader audience. We have stories to tell, but many in our audience have stopped listening because they can tell that we're not talking about them.
You have these kids trying to make these grown up decisions because nobody is talking to them. We're talking at them, but we're not listening to them.
You have to expose part of yourself to create a character deep enough for readers to care about. You try not to because it's hard and at times shameful, but then when you read those pages over and you see they have no life to them so you throw them away and force yourself to be more honest. So I suppose the answer is I see myself in all my characters, in their best moments and in their worst.
After readinf some essay on the nature of human fallibility, I was very aware that we are the recipients of a huge amount of discovery over the last century. Medicine exemplifies this. And that has transitioned us from a world in which people's lives were mostly governed by ignorance to one that's constrained by ineptitude. A century ago, we didn't know, for instance, what diseases afflicted us, what their nature really was, or what to do about them. And that has changed.
Don't believe that jazz about there's nothing you can do, "turn on and drop out, man" - because you've got to turn on and drop in, or they're going to drop all over you.
Happiness is baking cookies. Happiness is giving them away. And serving them, and eating them, talking about them, reading and writing about them, thinking about them, and sharing them with you.
Hans Rosling typically would go into the room, and he would ask the audience questions. Often they had to answer them with clickers or raising their hands or something. We get [data] wrong because 50 years ago that wasn't the case and because we haven't had these graphics we don't realize that over the last 30, 40, 50 years things have changed dramatically. And you see how the world has been getting a better, safer, more homogeneous place. It just has.
I just really care about what people see. I want them to know that I'm working hard for this. The artists that I look up to like, you know, Michael, Prince, James Brown. You watch them and you understand that they're paying attention to the details of their art. And they care so much about what they're wearing, about how they're moving, about how they're making the audience feel. They're not phoning it in. They're going up there to murder anybody that performs after them or performs before them. That's what I've watched my whole life and admired.
Basically, radio hasn't changed over the years. Despite all the technical improvements, it still boils down to a man or a woman and a microphone, playing music, sharing stories, talking about issues - communicating with an audience.
What drives me nuts is that we have these serial sexual predators, who hired back women whose careers were ruined by men who harassed or assaulted them and they're high profile people, and the next day the media is talking about who's going to rehire them. I'm like, Who cares? Why would they be hirable again? I mean, I'm all for comebacks, but what about the women? Shouldn't we be going back to them first? They had the American dream taken away from them.
I love talking about the Kennedy assasination. The reason I do is because I'm fascinated by it. I'm fascinated that our government could lie to us so blatantly, so obviously for so long, and we do absolutely nothing about it. I think that's interesting in what is ostensibly a democracy. Sarcasm - come on in. People say Bill, quit talking about Kennedy man. It was a long time ago, just let it go, alright? It's a long time ago, just forget it. I'm like, alright, then don't bring up Jesus to me. As long as we're talking shelf life here.
I never, ever update Mark Twain. I don't modernize it. I let the audience update the material. When I go out on stage, I'm trying to make the audience believe they're looking at this guy who died 104 years ago and listening to him and saying to themselves, "Jesus, he could be talking about today." And that's the point.
There are a lot of [Donald] Trump people, I mean, Trump, I remember hearing it, some of these rallies that he had talking about a special prosecutor, and his audience was responding wildly positively to it. So we'll see. Look, I do not think that Trump supporters are going to abandon him over this, and I don't think he's gonna lose any of them over this, but I do know a couple people are gonna be livid that it's not gonna happen.
It was a long time ago. I was talking to a friend about astrology, and he mentioned the Seth books. I'd never heard of them, but I intuitively knew they were important to me. It sounds very romantic, but it really was like that. I took an interest in them right away for no reason.
For me, stand-up comedy is a conversation between me and the audience. I have to keep them listening. When I'm making jokes about cake for twenty minutes, I have to make sure my audience is interested and following where I'm going.
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