A Quote by Hal Holbrook
I think I may drop dead on the stage someday. I hate to think of it. But it's getting tough on me, the travel. The show, I somehow manage to rise up to it, you know. But I have no desire to retire.
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I don't know where this thing about me being a travel writer comes from. It's nothing to do with me; I hate travel writing. I don't do it - I do it a little bit, but not much. I don't believe in it. I think it's over. The world is so saturated now that you don't need it.
I would never discredit anyone that is working their way up on a show like "American Idol." I think they work so hard overcoming all of the obstacles to get on the show in the first place and then every week they are judged in front of all of America... I give them complete credit for getting up on stage... I think they deserve all the success that they get.
In my experience, growing up in Brooklyn and all that, the real tough guys didn't act tough. They didn't talk tough. They were tough, you know? I think about these politicians who try to pose as tough guys - it makes me laugh.
From my situation as an African American person in the U.S., people may look at me and think a certain thing without getting to know me. I'm of Nigerian and Caribbean heritage. I went to Yale. What you see is not what you think you're getting.
I know it's not strictly sex that accounts for my straying the motive usually attributed to men. I think it's just too tempting to have two lives rather than one. Some people think that too much travel begets infidelity: Separation and opportunity test the bonds of love. I think it's more likely that people who hate to make choices to settle on one thing or another are attracted to travel. Travel doesn't beget a double life. The appeal of the double life begets travel.
If I retire doing the character, I don't think the character has to retire. There will still be caricatures of Elvira. You know, Dracula still works, and he's dead.
When I'm up on stage, I don't think about anything except the song I'm singing. Anyway, the majority of my audience is female, and I can't think that many of them want to see me a French maid outfit somehow!
I mean, we'll be pounding on the guy's chest, you know, on the floor, and you know, he's not going to just jump up all of a sudden. So it makes it tough. I mean, it's tough to be in the legislature, you know, and vote for something and then people say, well, you voted all this money and you know, it's all getting spent. It isn't getting spent. It's getting invested. But it's all getting spent. Nothing's happening.
O God, I have tasted Thy goodness, and it has both satisfied me and made me thirsty for more. I am painfully conscious of my need for further grace. I am ashamed of my lack of desire. O God, the Triune God, I want to want Thee; I long to be filled with longing; I thirst to be made more thirsty still. Show me Thy glory, I pray Thee, so that I may know Thee indeed. Begin in mercy a new work of love within me. Say to my soul, ‘Rise up my love, my fair one, and come away.’ Then give me grace to rise and follow Thee up from this misty lowland where I have wandered so long.
I think it would be fun to die onstage! Just drop dead in the middle of my show? That wouldn't be so bad.
It’s irrelevant to me what young Singaporeans think of me. What they think of me after I’m dead and gone in one generation will be determined by researchers who do PhDs on me, right? So there will be a lot of revisionism. As people revised Stalin, Brezhnev and one day now Yeltsin, and later on Putin. I’ve lived long enough to know that you may be idealised in life and reviled after you’re dead.
I'd like to think I could physically manage doing that, but I don't think it feels authentic to the kind of performer that I am. I think that, for me, being stationary and just sort of singing the songs seems to be the most connected and authentic expression for me on stage.
Growing up, I was a very shy kid but I felt that being on stage or playing another character would somehow open me up. And I think it did.
The idea that women are actually getting some jobs - whoopee. I can't say that I celebrate it without a hint of cynicism, because I think of how easily things can drop away and go back to the same old routine of being a boys' show. But I think it's a wonderful thing that women are getting to direct more.
In person, if possible, Anubis was even more drop-dead gorgeous. [Oh . . . ha, ha. I didn't catch the pun, but thank you, Carter. God of the dead, drop-dead gorgeous. Yes, hilarious. Now, may I continue?]
Hopping around time in a non-linear storytelling fashion (on 'Lost') allows you to bring back characters who are dead and, in some cases, buried. Now that time travel is the story itself, it opens up even more doors. So when an actor reads that they're getting killed off on the show, they're basically, like, 'Okay, but should I still bother to show up next week?'
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