A Quote by Hal Sparks

I noticed a lot of guitar players neglected the rhythm part of rhythm guitar and decided I would try to focus in that. — © Hal Sparks
I noticed a lot of guitar players neglected the rhythm part of rhythm guitar and decided I would try to focus in that.
I noticed a lot of guitar players neglected the rhythm part of rhythm guitar and decided I would try to focus in that. As my skill and knowledge of the instrument grew, I found lead started to come naturally. Sometimes I play guitar like a frustrated drummer. Ha ha!
What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.
I used a baritone guitar with a very unusual tuning that became the body of the composition, while the classical guitar is on top of it with the main rhythm part.
I took the rhythm place, which a lot of people didn't know how to do the way I could, and this was really the first time that Johnny had a rhythm guitar player.
Most people can do what I do - they can do guitar solos - but they can't do a good, hard rhythm guitar and be dedicated to it.
I can play rhythm guitar. I know how to hold a guitar and strum it.
As a musician, I don't think I'm the greatest guitar player. I'm a bigger fan of the drums than I am the guitar; I just happen to play guitar. I play drums almost every day at my house. I wrote a lot of songs behind the drum kit, just having the music and vocals in my head and playing the rhythm.
One very important side of my playing lies in rhythm; I have a very percussive style. It's one I've developed with Dream Theater over the years, and requires the guitar to be very locked into the rhythm of the drums... way more than what would normally entail.
There are a lot of cases where I'm using, if not an acoustic guitar, an electric guitar more as a rhythm instrument. Rather than blasting away, I use it to create more of an acoustic feel.
When I started off in Wales, I sang and accompanied myself with guitar in the '50s. And then I got a band together, which is a rhythm section, really. I used to do a lot of blues, and rhythm and blues, and '50s rock 'n' roll and country, and all kinds of stuff.
My guitar-playing always included bass lines, melody lines, and rhythm-guitar grooves.
I've always been at war with the guitar. All vocalists are fighting a war with the electric rhythm guitar.
I'm a guitar player. Actually, I think of myself as a songwriter/rhythm-guitar player.
In high school, I decided I wanted to learn guitar, so I picked it up and starting teaching myself some basic chords and started playing with friends. Guitar inherently lends itself to be guitar music, especially when you're not good at guitar.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
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