A Quote by Haley Bennett

I always wanted to do things on my own terms, and unfortunately in this industry, that's not something that is easily given. You're at the mercy of other people, but then you still have that drive to continue on. That's an equation for a lot of heartbreak.
I love the psychology versus math and logic. In algebra, "X" means any possible variable. I sort of think about "X" in terms of the equation of my own life. Adding "X" to my own life has given me a freedom that I didn't have before in the equation of my own existence.
I feel like I've given up a lot of my fantasies. I just want to do things differently, and to a lot of people that's annoying. I like weird stuff. I always hoped if we had a big success it would be on our own terms.
You always gotta continue to hunger. If you're gonna continue in any kind of industry whether music or the film industry or athletics, that drive to become better is what will eventually make you into that superstar everybody else will see.
People can get too heavy and it's just about being heavy, which means there isn't a whole lot of art in that; it's more mechanical. Just always keep in mind that melody is what makes something memorable and if you take that out of the equation then you may have something that's technically played very well, but you still can't lose sight of the song.
In 500 years, English has changed a lot, and right now we're undergoing an extremely rapid rate of accelerated advancement in terms of technology, but I still have a hard time believing that we're going to stop speaking to each other. The role of architecture, in terms of communication, is not going to drastically change either. It's going to continue to create a cultural affect where people will be able to understand something beyond function that may otherwise be foreign to them.
All you can do is make a piece of product, sell it on its own terms, stand behind it and hope that people will go see it. If you try to be like something else or appeal to any given group, then you can very easily end up being gratuitous and imitative. There's not much to be gained by that and I think too much time is spent going around trying to be like someone else.
My parents had an independent theater company here in Sweden during the 1980s, so I was raised watching my parents create independently, having a lot of fun and just doing what they wanted to do. I think that idea of independence as an artist was something I was always used to. And then I entered the industry from a very commercial perspective, and things were very different then from what I grew up with.
I've always wanted my lyrics to say something meaningful and, you know, you always want to tell a message with your art. So yes, as I continue to write music, I will write about things that are real and things that I feel aren't written about a lot.
For the most part, that message hasn't changed a lot over the years - love is still love, and heartbreak is still heartbreak.
I'm not singer; every time I have the urge to sing something, I don't want to do it in front of certain people. I was always that kid afraid of failing, so I just didn't do things. I don't know how to ride a bike, I don't know how to drive. I broke out of shell a bit, and I still am. I think it's more about trying to be the full person I imagine myself to be, regardless of what that means in terms of labels, shade from people, and all of that.
I think that a lot of people in all walks of life have the impression, of course, that, 'I specialize in something. I can't - I don't have the time to read other things. I'll just go to pure entertainment when I'm relaxing, and then I'll come back to my pure specialty.' That produces - that attitude produces idiot savants, unfortunately.
I'm a really optimistic, positive person, but I've been heartbroken on a social and political level, heartbroken on a personal level and anywhere in between. I think heartbreak is one of the best artist's catalysts for creation. That doesn't mean one should look for heartbreak; I don't agree with that. At a certain point you can use heartbreaks from other people's stories, your own life or before. You don't have to dwell on heartbreak.
Even if you know you're sleeping, you're still at the mercy of your dreams. People who are asleep can't simply decide to wake up. Nightmares don't let you off that easily. They hold you in their clutches until they decided, in their own good time, to let you go.
My goal onstage is to always have people leave feeling that they received something very special, an inspired feeling that they can take with them and into their lives. That's what the artists I love have always done for me and that's what I have always admired and tried to emulate in my own performances. I still believe that music stands alone in its power to communicate "spirit", whatever that might mean to any given fan. It's a mystery and it's something I still find so exciting and challenging at the same time.
Creating my own roles, as an actor, is great. You're so at the mercy of other people, and you're waiting for a job. That's just a horrible way to live, so I just decided to take matters into my own hands, find my own projects, and create them myself, and then do other stuff that people might throw my way as well.
My work is trying to at least define myself on my own terms, and then if other people enjoy things that's a lovely addition.
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