A Quote by Haley Joel Osment
People hear the examples of kids who work when they're young, have bad experiences, and then have a rough life after that, but a lot of it is just about the people around you.
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I always say that life is not easy for anybody. People hear about the young actors who have a rough life, but there are plenty of other kids who aren't actors who have a rough time, too, and I don't know if the ratio is any different.
Into The Woods was... a lot of running around in the woods! I can't wait to see the show again. People didn't realize it back then, but kids still come up to me-young people-and they talk about it. It really made its mark.
"Into the Woods" was... a lot of running around in the woods! I can't wait to see the show again. People didn't realize it back then, but kids still come up to me-young people-and they talk about it. It really made its mark.
A lot of comedians get a bad rep once they have kids and that's all they talk about, and people are like, 'I don't want to hear about your kids!' I'm like, 'Prepare yourselves. That's all I'm going to talk about.'
You have to be prepared to give creative work 150%. I hear a lot of young people talking about life/work balance, which I think is great when you’re in your 30s. If you’re in your 20s and already talking about that, I don’t think you will achieve your goals. If you really want to build a powerful career, and make an impact, then you have to be prepared to put in blood, sweat, and tears.
Life is rough for a lot of people. Some people live in greater material circumstances than others, but life is rough for everybody.
The challenge of our generation, whether it's young lawyers, young investment bankers, is to make capitalism work for people not just around the corner, but for people all around the world.
For sure I see so much in Sudan that is wonderful, normal life - young entrepreneurs starting up NGO projects, kids mucking around and being kids. Everything else that happens in normal life in any part of the world, and we never get that in our media coverage. We only talk about Sudan once it's in crisis, so we end up with a distorted sense of what daily life is like for a lot of people.
There are a lot of people that get interested in something, and they hear about it, and they read about it, and then they watch it happen, and that's why I had quite an interest in the lottery because you'd interest a lot of people, and then just a few would win a chance to do something.
I think some of the funniest and most artistic people I know are the ones who had a hard time at school. They often have humility and artistry. So, as much as I feel bad for kids who have to go through a rough childhood, I believe that if they can turn it around, it's going to make them better people later on.
The journey after Katrina, it opened a lot of doors for a lot of people. Coming from a rooftop to going to Hollywood and around the world, internationally teaching people about bounce music, definitely God is good and amazing about what he can do with your life.
I grew up around food and in a restaurant, so it never dawned on me that this was a thing to do; it just was. Then I found it as a profession in my mid-twenties after years of bad decisions and depression. The first step was going to the bookstore and learning about this craft. Then applying in kitchens and just getting to work.
To make a live record - something that has a lot of life in it - is difficult. After slaving away for years in the studio, when I hear a No Age record or when I hear Yeah Yeah Yeahs' first EP or when I hear DRI or really early punk stuff, it's just so powerful, so raw - and I know how hard that is to create. It's very deceptive. It's like a Dardenne brothers film - it seems like just a handheld camera following some people around in a trailer park, but it's incredibly difficult to do that.
A lot of my writing is basically about observation, and things that I've seen, either through personal experiences or the experiences of people around me, or society at large.
If you don't enjoy making work, then it's bad. It's rough. Artwork is brutal for so many people. They let it happen to them, but it's brutal. I like the idea of an artist as somebody who works. A lot of the artists I like share this understanding.
I think one thing we went through was common to a lot of people: You work your whole life to achieve something, then you achieve it and find out that you still have good days and bad days. So you start thinking, 'Is that all there is?' After a while you calm down and get back to work.
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