A Quote by Haley Joel Osment

It's kind of comfortable portraying characters who are kind of unsavoury and not so nice. That can be refreshing sometimes. — © Haley Joel Osment
It's kind of comfortable portraying characters who are kind of unsavoury and not so nice. That can be refreshing sometimes.
I'm portraying out characters, I'm portraying femme characters, characters that are really outside of the box. I never thought I would get that opportunity to portray those characters at all, much less have a career that I have.
As I get older, I'm more willing to take on more, I guess. I feel more comfortable kind of being different characters and kind of stretching it a little more. Like with The Visitation. At least for me, being an actor, I have to draw from human experiences, so it was kind of a stretch playing that role. Kind of supernatural... kind of like what I did in The Crow actually.
I worked with and became close with these characters [in Twilight] and the people who are portraying them and it's kind of, I think, a safety net that we had, and it's going to be kind of strange not going back to set with these people that I've become so familiar with.
It's kind of a camaraderie in the comedy community, people are kind of proud of how badly they go down sometimes, and it's quite nice to join in with that.
When you're the person who's kind of in charge of everything a lot of the time, it's sometimes nice to get bossed around. It's sometimes nice to have somebody say, "This is what I want you to do" and to stretch your abilities.
I just kind of keep doing what I'm doing, keep plugging away, kind of hide behind closed doors sometimes, which is nice, kind of the way I'd like to keep it.
You're in a very nice position as an actor when you're portraying a piece of history that actually happened and portraying characters that actually existed. There's so much more to draw on and your research as an actor becomes much easier than if it's some fiction that you're trying to create a world around and background and history.
Maybe bitcoin is a kind of a bubble. I don't like it. I'm not comfortable with it. I'm kind of an old dog to be absorbing that kind of a new trick.
Well, it's kind of like that classic sort of trajectory in this kind of movie where there's conflict and they're estranged and they kind of grow to love each other but they don't show it. Then at the end - it's kind of like that. But I think the characters are more interesting than that.
I came on board 'Clown' because it was a very simple story, and it was a very nice script and a very refreshing take on a kind of The Brothers Grimm fable, you know?
But if you think you aren't creative that's cool, too. I think being around people who aren't creative is kind of refreshing and nice.
Cinema is actually very backward. When we see gay characters or people of color, they're always there for that reason. I'm personally kind of sick of that. I love to see characters who just live and breathe and are comfortable in that space.
I'm very comfortable being at home and keeping my head down, really. It's nice being invited to night clubs and stuff, which is nice once in a while, but I prefer to kind of keep to myself.
When I'm writing it's as if I'm the observer. It's as if that computer screen there -it used to be the typewriter - just kind of dissolves and there's this whirling tunnel of mist and there's a kind of proscenium arch, and then there are my characters, and they say what they say, and I laugh sometimes in surprise at what they say.
I get frustrated by the way camp is portrayed sometimes. Camp, for me, is a nice 'everyone is welcome' kind of thing rather than an 'ooh, what's she wearing' kind of thing.
Well, I don't think I've ever consciously come up with tricks and tools to, kind of, hide. I do think I'm a bit more vigilant, in terms of safety issues and things. And sometimes it is kind of nice to try to hold onto your anonymity.
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