A Quote by Haley Joel Osment

It was kind of good that I wasn't doing the Hollywood high life and stuff like that when I was 18, 19, 20, 21. — © Haley Joel Osment
It was kind of good that I wasn't doing the Hollywood high life and stuff like that when I was 18, 19, 20, 21.
My whole thing is that often times when teenagers are about 18, 19, 20, 21, they get this mentality that they have to be old, they have to appear older, they can no longer be seen as a high schooler, they need to be seen as mid-20s all of a sudden, even though they're only, like, 20.
My whole thing is that often times when teenagers are about 18, 19, 20, 21, they get this mentality that they have to be old, they have to appear older, they can no longer be seen as a high schooler, they need to be seen as mid-20s all of a sudden even though they're only, like, 20. I'm the opposite of that.
When the time is right I have a laugh and a joke with my friends on a day off, but I have had to make sacrifices, and in that sense it's been a huge step forward, completely different to how it was before. I was 18 when the manager spoke to me. I realised I'm not like any other teenager. I can't be doing stuff any other 18 or 19-year-old was doing.
If I were involved with the NBA, I wouldn't want a 19-year-old or a 20-year-old kid to bring into all the travel and all the problems that exist in the NBA. I would want a much more mature kid. I would want a kid that maybe I've been watching on another team, and now he's 21, 22 years old instead of 18 or 19, and I might trade for that kid.
When I was 19, 20, 21, I wasn't extremely thick.
I like doing this stuff [stunts] though, it's kind of the whole reason that you want to do the movie. When you're reading it you're like, "Oh, I get to dive out a window? Cool! I get to jump off a building? Great!" So I love doing that stuff, it's like the stuff we used to do in high school to be stupid and fun.
When I published a book earlier this year about Uber, the most common question I got about it was how many of the tumultuous events of 2017 I was able to include. My gag-line response: I managed to cover the first 17 scandals of the year, but not Nos. 18, 19, 20, 21, 22, and so on.
We started the band when I was about 19 or 20. At that age, it would have been kind of hard to imagine a lot of the stuff that I've written. We were playing garage rock. I wanted to dash out three chords and scream. But if you do that for 20 years, what's the point?
I did a lot of bad stuff from the age of 18 to 21. Those are days when everyone is usually in college doing a lot of stupid things. But since I was playing baseball, I was in the spotlight. I take full responsibility for doing things that I shouldn't have been doing. And I appreciate the second chance that the Twins are giving me.
When I started in the late nineties, it was all about young Hollywood. There were jobs for all of us if you were 18 to 21, were slightly good looking, or could be funny.
As a teenager, I was really trying to have fun 24 hours a day. I didn't start thinking until I was 20 or 21. I was doing regular goof-ball stuff.
Luckily, I feel like I was a late bloomer as far as my body developing. I really didn't start developing until I was like 18, 19, 20 years old.
When I was growing up, until I was 18 or 19, I was totally invested in the classical music world. I had no concept of anything else. The closest thing to a cool band I listened to was Radiohead. Radiohead were the only band I liked in high school. I was just obsessed with classical music, opera, Claude Debussy, and that kind of stuff.
I do close to 30 minutes in cardio at a very high rate. I raise the level of intensity. I do a level 18 on the elliptical at four miles an hour for 20 minutes. That's 360 calories. I want to see someone else try that. The resistance factor at 18 is brutal. No one goes to 20.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
That feeling of being 19 or 20 and 'hot' in Hollywood was so intense.
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