A Quote by Halle Berry

This moment is so much bigger than me. It's for every nameless, faceless woman of colour that now has a chance because this door tonight has been opened. — © Halle Berry
This moment is so much bigger than me. It's for every nameless, faceless woman of colour that now has a chance because this door tonight has been opened.
That's the spirit in which I went to New York to be with my husband, and when I knocked on the hotel door, she opened the door as Caitlyn as we now know her - full makeup and fully dressed as a woman. So it was devastating to me to see because I had envisioned Bruce opening the door, but it was helpful in my process.
A lot of cop shows, because they have the restraints of having a new case every episode, the victims often become these kind of nameless, faceless plot points, and as an audience we don't feel anything for those people.
Now that was one thing, but from an actor's point of view, this poor young man, crying from the moment I opened the door to the moment he left. Now if an actor did that they would say he's over-acting.
I was raised in a group home for 14 years, so I was a beneficiary of philanthropy. I didn't have a family. The nameless, faceless strangers were my family. They gave me an education, put food on the table and clothes on my back. I am who I am because of that formative experience. Now I am paying it forward.
I'd worked on leprosy and malaria in India [at the World Bank] and asked myself the question: Why do we let 2 million children die every year around the world for not having clean water? Because they're faceless and nameless. So, for me, Facebook looked like it was going to solve the problem of the invisible victim.
Elizabeth's voice had a door in it. When you opened that door you found another door, and that door opened yet another door. All the doors were nice and led out of her.
We've all heard that in life, when one door is closed, another is opened. Unfortunately, many of us are so focused on the darkness left by what has been lost, we never see the light coming through the newly opened door.
Doors opened for me because of who I am. But the downside is, there is way way too much expectation from me, much more than there would have been if I were from outside the film industry.
What is happening, I think, it's really bigger than psychedelics, it's bigger than human evolution. We are not making the waves in this ocean. We are corks, riding the waves of the ocean. But we are privileged, by perhaps chance alone, to occupy a unique moment in the history of the universe. A moment when the universe goes through some kind of self-transforming, evolutionary, inflationary expansion. That's what's happening.
On the one hand, having Michael as my brother has been a help. It brought me contacts and opened the door to motor racing. But to keep that door open, I would have to say it's harder for me.
I am flattered to have been the woman to have opened the door for female rockers to be accepted into the mainly male industry.
It’s when I have to acknowledge the past and all of those nameless, faceless people I’d assassinated, that I unravel inside.
I'm in an unusual stage right now, because I haven't dated in so long. The sense of isolation turns it all into a bigger deal. Just taking the risk of opening that door is really hard for me right now.
My parents were very unusual. They were pro-women and independence and they wanted me to have my own career. And because of my lineage, every door was opened for me.
I choose to think of tv audience as nameless, formless, faceless people who are all like me. And anything that I write, if I like it, they'll like it.
There's sadness to anyone that dies before their time, and specifically ones that seem to affect people in a positive way. It doesn't matter if it's Whitney Houston or a nameless, faceless person on the street. That's just as big of a tragedy for me.
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