A Quote by Halle Berry
Here's the thing - you can't be careful about what you pick because what looks like on paper is going to be a great script has often turned out to be a disaster, so there's no way to know what's going to work or to pick the right thing.
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There's a lot of guys in WWE - you would know who they are - you know you're going to see the same thing every single match. You know you're going to hear the same thing every time they pick up a microphone. You know John Cena is never going to get mad at you no matter what you do.
That's the thing about acting - it does have the feeling of downhill skiing. When it's really all going right, you know your lines, you know what's important to your character, you pick the strongest reactions possible to elements in the story. But then you let it all go and you're in the moment and stuff happens. It surprises you and it's super strong; it's like you're living life in a slightly heightened way in the time between "action" and "cut."
One thing that I've realized is that you're never going to be 100 percent successful. You're always going to be let down. When you have God in your life and you follow Christ, you're never going to be let down. Every time that you fail, He's there to pick you right back up. Every time you think the world's going to end because you had a couple of bad games, God's there to remind you that's not what it's all about.
What happens when you get hurt? Take that kid at Kentucky, Nerlens Noel, who could have turned pro after high school.Who knows what's going to happen? How the operation is going to go? The only thing I do know is that he would have been a top pick in the draft last year, and he'd have millions of dollars in the bank.
Once you are shooting a movie, even if it's your own script, you have to let it go at a certain point. That's true for every film. It breaks up into phases where the thing that you have in front of you is the thing you have to address, and you can't worry about what you imagined a scene was going to like and that it came out differently, because that's what you have to make work.
The way I pick movies is, first, if the script is any good. Then, if the script is good, who else is in it, the director, the producer, all that. If you have all that, there's a chance the movie will be great. If the script isn't right, or the director or cast isn't right, you've got no shot in hell.
I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
There's an awful lot of scenes where we don't know what the scene's going to be about, we ask the audience, pick a place that the scene is happening, pick the relationship, tell us who they are, things like that.
Marriage is a really scary thing. I'm excited about it. I know it's not a mistake, it's the absolute right thing to do. I'm really happy about it. I really, really love my fiancee. We're good friends and I think it's going to work. But that's just the point - it's going to take work. It does make me feel vulnerable to be like, wow, I'm committed to this person for the rest of my life.
After the Cardinals traded their No. 6 pick, I didn't know where I was going, ... The first thing I thought about was me and Ray Lewis doing that commercial, and how he made me do his laundry. And now it's actually going to be a reality.
If I do do a sequel, I'm going to have to know for sure that the script is better than the original. So I'm going to be very careful about that because I'm not eager to repeat myself.
You just pick up any paper, and it's always talking about, how are we going to overthrow Donald Trump? I'm representing a tremendous - I'm representing millions of people that have - really feel angry and disenfranchised. And these are great people. And they like me and I love them. And I'll tell you what. We're not being treated right.
You pick up the phone and you talk to somebody. There's a voice on the other end and you say what you have to say. This is how I perceive my life. I don't see myself as "Oh, I'm doing this great thing because I'm going to give this talk, now everybody's going to be transformed."
You don't want to really pick on someone that you genuinely like. In terms of 'Billy on the Street,' there are certain actors - I don't care if they find out because I do feel that way. Though it's almost never about appearance or something out of their control. I pick on choices they've made or roles they've taken.
You see the kind of approach, because he [Doanld Trump] is a businessman. He's like, I'm going to pick up the phone, I'm gonna call that CEO and we're going to talk about this directly, instead of getting mired in a lot of the way down, you know, bureaucracy and red tape and having 25 assistants or deputies talk to somebody instead of going directly to the root of the problem.
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