A Quote by Hallie Ephron

Even though I got a late start, first publishing an essay when I was 50 years old, I've since written eight suspense novels. — © Hallie Ephron
Even though I got a late start, first publishing an essay when I was 50 years old, I've since written eight suspense novels.
I got into politics when I was eight years old. Six years now. And I got involved because I started listening to talk radio. It goes back to one event. The Democrats filibustered something in the Senate when I was eight years old. I don't remember what it was on and I didn't honestly care when I was eight years old. I cared about the history and the Senate rules.
It doesn't seem like it's been 50 years. I don't even feel like I'm 50 years old yet, though I've had all these knee and back operations.
I've been a video game guy since I was eight years old and got my first Nintendo. I've been addicted to video games ever since.
I've wanted to be an actor since I was eight years old and I did TV commercials when I was a kid. When I was eleven Saturday Night Live came on and I thought, "Oh God, I'd love to do that." I saw the Pink Panther movies and thought, "God, I'd love to have a comedy series; I'd love to have a character I'd created that becomes a series." I've now pretty-much done everything I've wanted to do since I was eight years old and it's a wonderful feeling, I've got to say.
I taught everyone a very bad lesson at my publisher because they actually gave me deadlines this time and I'm now meeting them. I used to say, "Here's my book; it's six years late." I'm so much faster now, and work differently. With all the years of writing, I think I still draft as obsessively, but I think back to writing. On your first story, you start at draft one. On your second story, you start at draft ten. On your third story, you start at draft one hundred. If you need a hundred and eight drafts, you may write eight instead of a hundred and eight.
Total oblivion is the fate of almost everything in this world. I'm very likely to suffer that same fate; my work will probably not be remembered, and if any of it is, if any of those novels is fated to be one of those novels that is still being read 50 or 100 years after it was written, I've probably already written it.
I arrived in the Premier League late at 29 years old - you still have to live 50 years after football. You do your best for yourself and your family. You've got to fight for what you believe.
In the late '60s, I was seven, eight, nine years old, and what was going on in the news at that time that really excited a seven, eight, nine year old boy was the Space Race.
Coming from a dance background, I was in competitions every single weekend, so I've been put on the spot since I was eight years old. When I first got into singing and went on tour, it kind of just felt like home, because I'd been there so many times.
Actually, my ambition at eight or nine years old was to be one of Little Richard's sax players, and that's when I got my first saxophone, a Selmer. It was a strange Bakelite material - that creamy plastic with all the gold keys on it. I had to get a job as a butcher's delivery boy to start paying for it.
The essay I had to read was called, "An Essay on Criticism" by Alexander Pope. The first challenge was that the essay was, in fact, a very long poem in "heroic couplets". If something is called an essay, it should be an essay.
I used to feel for years and years and years that I was very remiss not to have written a novel and I would question people who wrote novels and try to find out how they did it and how they had got past page 30. Then, with the approach of old age, I began to just think: “Well, lucky I can do anything at all.
Suspense is very important. Even though this is humor and they're short stories, that theory of building suspense is still there.
I've always been very business-oriented, ever since I was, like, eight years old and I opened my first bank account.
When I was a child, I had a ViewMaster, those red box glasses with little discs, so that you can see 3D images. They were my first steps in cinema. I was eight years old, I would cut and change the order of the images and that's how I created films that subsequently I recorded and projected and showed my friends. So I already took my first steps in 3D when I was eight years old.
I was very, very young when I first started acting. My first movie role I was in, I was eight years old at the time. My mom got me involved in community theater stuff when I was like five or six years old. How I learned to read was by reading the captions on TV, and I grew up from a really young age watching tons of movies and television.
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