A Quote by Hallie Jackson

Television is an intimately personal medium, especially with so many people watching on their phones or laptops. Style pressure comes with the territory. — © Hallie Jackson
Television is an intimately personal medium, especially with so many people watching on their phones or laptops. Style pressure comes with the territory.
I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.
There is a difference. You watch television, you don't witness it. But, while watching television, if you start witnessing yourself watching television, then there are two processes going on: you are watching television, and something within you is witnessing the process of watching television. Witnessing is deeper, far deeper. It is not equivalent to watching. Watching is superficial. So remember that meditation is witnessing.
I don't really see a huge divide between filmmaking and television. In the end, a lot of people are going to be watching this stuff on their laptops and their iPhones anyway. So, it doesn't really matter where it comes from, as long as the stories get told.
Personal style, be it that of Michelangelo, or that of Tintoretto... has always been that peculiar personal rapport which has developed between an artist and his medium.
I think television has become such an interesting place for characters and for incredible storytelling. Half of what I watch are television shows that I've become obsessed with. I just think that it's opened up so much, to be such an interesting and creative medium, and so many wonderful directors and actors are moving to television because it is a great medium for telling stories and for creating a character over a long period of time.
Motion pictures are a director's medium. Broadway is a writer's medium. Television is a producer's medium. I picked a medium I could control.
Now...in an abundant society where people have laptops, cell phones, ipods and minds like empty rooms, I still plod along with books.
I'm terribly forgetful. I've lost laptops, cell-phones.
We think of them as mobile phones, but the personal computer, mobile phone and the Internet are merging into some new medium like the personal computer in the 1980s or the Internet in the 1990s.
Television is much more of a producer's writer's medium, so a lot of the time, when you're directing a television show, they have a color palette on set or a visual style and dynamic that's already been predetermined, and you just kind of have to follow the rules.
Television is, in many respects, a passive medium: people receive information without really exchanging ideas with others. By contrast, the Internet can be an active medium, allowing individuals to use e-mail, discussion groups, and even Web sites to engage with one another.
Photography is the easiest medium with which to be merely competent. Almost anybody can be competent. It's the hardest medium in which to have some sort of personal vision and to have a signature style.
I think an excess of anything is bad, be it mobile phones, social media, private tuitions or watching television.
I do think this is where television is going, and I think that it's awesome to be a part of a show like this because we are these pioneers into this new medium. And it's working. When you look at the success of House of Cards and Arrested Development, which I love, this is how people are watching television now. It's pretty cool to be a part of this whole thing.
I love the good old book with glue and binding, I really do, but that is just one way of experiencing text, and suddenly we have so many new ways, including our laptops, our phones, our watches. People in my generation agonize over this. People much younger than me don't agonize at all. They just go ahead and find ways to transform publishing.
As the OLPC laptop was getting ready to go into mass production in 2007, many executives approached me wanting the screen that I invented, and the laptop architecture that I co-invented, for their new laptops, cell phones, and other devices.
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