A Quote by Halsey

You can tell if there's magic in something. When you start it, you want to finish it and you want it to be perfect. If you're not inspired, and you're working hard to pull inspiration from somewhere and make a song something it's not, then it's very contrived, and I don't like to write music that's contrived.
If you're not inspired and you're working hard to pull inspiration from somewhere and make a song something it's not, then it's very contrived and I don't like to write music that's contrived.
I just wanted to keep consistent and keep true to America and not seem contrived. I didn't want to seem contrived at all with any song choice that might be a detriment to my journey on 'The Voice.'
I guess I want to be a voice for the kid. I mean, it sounds quite contrived, but I want to make music that I would have wanted to hear when I was 14.
You always want to write the perfect song. But no one will ever write the perfect song, I guess. I would just like to write on that has all the elements of what I'm tring to do. And I'm working on it. I'm always working on it.
We only do what feels right. If something feels forced or contrived, then we pull back. We remain the Foo Fighters.
Keep at something even when you don't feel inspired. Don't wait for inspiration! I write a lot of songs that are terrible, in the hopes that one song that has something special comes out of it. Just stay at something, and write every day if you're writing lyrics.
It's not a very sane thing to try to be great all the time. You want to make something magical; you want to make something wonderful; you want to give to everybody; you want to heal people; you want to still be inspired. That's not easy.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
"Diamonds & Rust" started off as another song. Then the words started to morph. When you write a song that deep, the words come from some place else. But when the songs stop coming, it would be so contrived to try and force it. Since then I've just been doing other people's music.
After 10 years, I have been touring for 20, playing basically the same type of music, a four-piece or three-piece type of music with loud, crashing drums and screaming vocals. It gets to the point where you're looking for something new, and you don't want to do something that's way too left-field, for fear that it might seem contrived.
I feel like every time I do a video I say I want to make it like a movie, I want to make it very entertaining. So I start to just scan in my brain for what I haven't done before so I can do something unique and ridiculous, and what that song means.
I don't really do very well when I'm sent somewhere. A lot of magazines want to send you somewhere to do something. They want you to stow away on a ship, or something like that.
From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.
When I do music I don't do it with a purpose in mind. I just feel like it's a little bit contrived if you try to do something like that. It's got to come organically.
When you're writing a song with someone, it's a very personal process. The music has to be an organic experience, it can't be contrived, sometimes it is and I think people pick up on that.
My country has contrived for me the most insignificant office that ever the invention of man contrived or his imagination conceived.
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