A Quote by Halsey

I feel like, if I'm going to have young, impressionable people listening to my music, then I'm going to respect that. — © Halsey
I feel like, if I'm going to have young, impressionable people listening to my music, then I'm going to respect that.
I feel like I'm a trendsetter. I try to always stay on the edge of everything I do, whether it be music, fashion, film. I just like to stay abreast of what's going on. What's going on in the street and what's going on in the hood I put in my music and I feel like a lot of people follow that.
I'm always thinking about that young girl or young boy who doesn't quite know if their music, their messaging, their imaging, their voice is going to pop, if people are going to understand them. So I represent the other and those who feel like they don't even want to be normal. They embrace the things that make them unique.
I'm just going to do music and when I feel like I've gotten enough music to put an album together then that's when I'm going to do it.
He shook his head. "Some people think that they like music, but they have no idea what it's really about. They're kindding themselves. Then there are people who feel strongly about music, but just aren't listening to the right stuff. They're misguided. And then there are people like me." "People like you," I said. "What kind of people are those?" "The kind who live for music and are constantly seeking it out, anywhere they can. Who can't imagine a life without it. They're enlightened."
When you're young, you're always wondering when you're actually going to feel like a grownup. And I think you probably fear it, in a sense, too. There's a danger to feeling like an adult... like this whimsical kid in you is going to die or something. And then all of a sudden, one day you kind of feel like an adult and it's really nice.
People are not even going to have time to listen to radio in their cars because they are going to be talking on their phones or twittering, or BBM'ing. So I feel like the only time people are going to hear music is when your phone rings, so that's the whole market I'm going after.
I met some brothers out from Canada recently who are real cool people. They make Spanish-language music called Cold Blue and I met then at a Lat-Rap conference and they seem like real good peoples from Central America... and that's what it is. It's just based on mutual respect. So when I meet people like that I'm like, "if y'all going to be real with me, I'm going to be real with y'all" and that's all it takes.
A good collaboration I think it's really, truly a vibe thing. The people who are most excited about collaborations are people in the business, people who are thinking, "This is going to be great press," or, "This is going to expose you to all these people you haven't reached before." I prefer not to think like that. I'm more, if you meet the person, you like the person, you've talked to them, you feel connected, you feel like there's a creative exchange, then it kind of happens by itself. I'm open to it, but it has to feel right. If it feels forced, then I'm fearful of doing it.
I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
When I came home my parents were listening to Pakistani Qawwali music, like Nusrat Fateh Ali Khan, they're listening to music from Mali, like Ali Farka Toure, they're listening to Brazilian songwriters, like Gilberto Gil, to opera, to Neil Young even, things you don't hear as a kid in Caracas. I love all the music they turned me onto.
I went to London to do the stuff. I was like "What am I going to do? What's going to happen?" But then once you start working, you forget all that and you start enjoying what you're doing. Once you enjoy the process, you know that people are going to do the same thing. If you don't enjoy it and just do it like a job, then it's going to be feel that way. That's my theory of doing a movie.
I really enjoy listening to Japanese pop aka J-Pop and I also like listening to anime songs as well. Both of these types of music are unique to Japanese culture and listening to these types of music gets me going.
Being like 14 and 15 years old, listening to trance music in my home, I just had this fantasy of going to these big clubs and going to these massives, and just hearing this gorgeous, delicate music.
Some cultures don't have a separate word for music and dance. To my knowledge, this notion of listening to music without dancing is a Western creation. I can't think of any artist that I love that doesn't inspire movement in some form or another. I guess Tangerine Dream or early Vangelis or something like that, you're not really going to dance. But on the whole, I feel like dancing and music are so naturally intertwined. I feel like subconsciously, that's the goal whenever I'm working on music. It's kind of the defining thing: Does it got some funk to it, basically?
If you feel like you're doing terrible in a scene, that usually means that you're not listening because you're too preoccupied with yourself... you're not listening to your scene partner. If you listen, you're naturally going to get that response that the camera's going to pick up because you just react.
There was a time in my 40s where I thought, oh, it's all over - not just work, but I'm never going to feel young again, I'm always going to feel like I know what's going to happen, I'll know what to expect. Looking back I don't know if that was a midlife crisis, I don't know - but I don't feel that now. There's possibilities. It gets better.
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