A Quote by Hamish Bowles
Essentially what you're doing is collaborating with the photographer to create an image that reflects the fashion you're trying to capture and also hold a mirror up to the zeitgeist at the moment.
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There are essentially two main reasons to hold a phone up at a show. First, to capture a memory for yourself, a reminder of the moment you're enjoying. And second, to share that moment with someone - to express your emotions socially. Both seem perfectly legitimate to me.
One cabbie chastened me by saying that the fashion industry was doing harm to young people, who are trying to live up to an unrealistic ideal. It prompted me to make body image and diversity key issues on 'The Business of Fashion.'
People are constantly trying to make an image for you. They`ll dress you up and tell you to pose a certain way and take all these pictures... they want a certain image, so they create that. And unless you`re spending a lot of time to create another image to counteract that image, theirs will win. So right now, I`m kind of dealing with a lot of false ideas of what I`m about.
To photograph is to hold one's breath, when all faculties converge to capture fleeting reality. It's at that precise moment that mastering an image becomes a great physical and intellectual joy.
The best change you can make is to hold up a mirror so that people can look into it and change themselves. That's the only way a person can be changed." By looking into yourself," Zia said. "Even if you have to look into a mirror that's outside yourself to do it." "And you know," Maida added. "That mirror can be a story you hear, or just someone else's eyes. Anything that reflects back so you can see yourself in it.
We all know a mirror reflects us, if you look in it. If you move, the reflection moves. If you project from a mirror, meaning it will project an image, it's nothing to do with you. The world seen by nobody.
The horse is your mirror. He never flatters you. He reflects your temperament. He also reflects your ups and downs. Don’t ever be angry with your horse: you might as well be angry with your mirror.
Other people are like a mirror which reflects back on us the kind of image we cast.
I'm trying to capture a moment. It's not about the singer at the microphone. I'm trying to look for, like, a moment in between.
I never dreamed of being Shakespeare or Goethe, and I never expected to hold the great mirror of truth up before the world; I dreamed only of being a little pocket mirror, the sort that a woman can carry in her purse; one that reflects small blemishes, and some great beauties, when held close enough to the heart.
The purer the artist's 'mirror' is, the more true reality reflects in it. Overseeing the historical culture of art, we must conclude that the mirror only slowly is purified. Time producing this purifying shows a gradual, more constant and objective image of reality.
I honestly think the impulse is to grab something and capture it, and not capture a moment that you want to remember, but just capture an image that you want other people to see right away. It's about how someone is going to "like" this and it's no longer an experience. It's just this constant sharing of images. I personally don't like that very much.
People are so wonderful that a photographer has only to wait for that breathless moment to capture what he wants on film.
There are some people who have helped to advance me and other girls, but the fashion industry is always behind popular culture. They think they understand the zeitgeist. They don't know anything about the zeitgeist.
I come from a songwriter background, so essentially with my music, I'm trying to make songs that will last a lifetime and although 'Fast Car' was a cover, it reflects what I'm trying to do.
There were just moments of the punk scene and I realized that I had to capture it. There was also this photographer in our preschool - I went to a Montessori school in Baltimore, Maryland - and they had this photographer come and take all these incredible photographs. They looked like they were from Life magazine.
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