A Quote by Hamish Bowles

My obsession with accumulation, which at times has taken on the whisper of a psychic illness - as anyone who has experienced the ode to the Collyer brothers that is my 'Vogue' office will concur - began in infancy.
I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we're doing. By investing in them, I'm investing in the magazine. All over 'Vogue,' 'Teen Vogue,' and 'Men's Vogue,' there are people who have been through not only my office but also many other offices at 'Vogue.'
At the same time as the UK Vogue one, I did a shoot that took about 40 days of friends and people I admired in Paris, for French Vogue. This is how I met Maria Schneider in June and which began our friendship.
I don't think anyone has ever been in a better place at a better time than I was when I was editor of Vogue. Vogue always did stand for people's lives. I mean, a new dress doesn't get you anywhere; it's the life you're living in the dress, and the sort of life you had lived before, and what you will do in it later. Like all great times, the sixties were about personalities.
The Champions League mustn't be experienced like an obsession because, when you have an obsession, you never win!
Within two months I made the grand slam: covers of 'American Vogue', 'Italian Vogue', 'British Vogue', and 'French Vogue'.
Anyone who has taken the oath I have just taken must feel a heavy weight of responsibility. If not, he has no conception of the powers and duties of the office.
Just before the opening of the 20th century, the Collyer brothers, Homer and Langley, are born into great privilege on the Upper East Side of New York, in a mansion overlooking Central Park.
If I play one psychic, then I'm playing a psychic at least three or four more times.
He, who steadily observes those moral precepts in which all religions concur, will never be questioned at the gates of heaven as to the dogmas in which they all differ.
Primitive times are lyrical, ancient times epical, modern times dramatic. The ode sings of eternity, the epic imparts solemnity tohistory, the drama depicts life. The characteristic of the first poetry is ingeniousness, of the second, simplicity, of the third, truth.
I ran for the presidency, despite hopeless odds, to demonstrate the sheer will and refusal to accept the status quo. The next time a woman runs, or a black, a Jew, or anyone from a group that the country is 'not ready' to elect to its highest office, I believe that he or she will be taken seriously from the start.
Far from being a material world, this is a psychic world, which allows us to make only indirect and hypothetical inferences about the real nature of matter. The psychic, alone has immediate reality, and this includes all forms of the psychic, even
There are a number of things that set Southern artists apart from anyone else. Their obsession with place and their obsession with family.
If they [enlightened men] take any interest in examining, in the infancy of our species, the almost obliterated traces of so many nations that have become extinct, they will doubtless take a similar interest in collecting, amidst the darkness which covers the infancy of the globe, the traces of those revolutions which took place anterior to the existence of all nations.
There is a distinction to be drawn between true collectors and accumulators. Collectors are discriminating; accumulators act at random. The Collyer brothers, who died among the tons of newspapers and trash with which they filled every cubic foot of their house so that they could scarcely move, were a classic example of accumulators, but there are many of us whose houses are filled with all manner of things that we "can't bear to throw away.
The myth is a surviving fragment of the psychic life of the infancy of the race whilst the dream is the myth of the individual.
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