A Quote by Hamlin Garland
From the great trees the locusts cry
In quavering ecstatic duo-a boy
Shouts a wild call-a mourning dove
In the blue distance sobs-the wind
Wanders by, heavy with odors
Of corn and wheat and melon vines;
The trees tremble with delirious joy as the breeze
Greets them, one by one-now the oak
Now the great sycamore, now the elm.
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Sycamore trees were held to be sacred in ancient Egypt and are the first trees represented in ancient art. The sycamore, also, was sacred. Peasants gather around them in rituals. In the Land of the Dead there was a sycamore in whose branches the goddess Hathor lived; she leaned out of it giving sustenance and water to deceased souls. In Memphis, Hathor's epithet was Lady of the Sycamore.
How innocent were these Trees, that in
Mist-green May, blown by a prospering breeze,
Stood garlanded and gay;
Who now in sundown glow
Of serious colour clad confront me with their show
As though resigned and sad,
Trees, who unwhispering stand umber, bronze, gold;
Pavilioning the land for one grown tired and old;
Elm, chestnut, aspen and pine, I am merged in you,
Who tell once more in tones of time,
Your foliaged farewell.
An oak tree and a rosebush grew, Young and green together, Talking the talk of growing things- Wind and water and weather. And while the rosebush sweetly bloomed The oak tree grew so high That now it spoke of newer things- Eagles, mountain peaks and sky. "I guess you think you're pretty great," The rose was heard to cry, Screaming as loud as it possibly could To the treetop in the sky. "And now you have no time for flower talk, Now that you've grown so tall." "It's not so much that I've grown," said the tree, "It's just that you've stayed so small.
The groves and thickets of smaller trees are full of blooming evergreen vines. These vines are not arranged in separate groups, or in delicate wreaths, but in bossy walls and heavy, mound-like heaps and banks. Am made to feel that I am now in a strange land. I know hardly any of the plants, but few of the birds, and I am unable to see the country for the solemn, dark, mysterious cypress woods which cover everything.
Relatively mild gusts of wind blow some trees down. Graceful palm trees, for example, are lovely to look at but will not stand up in a heavy wind because they are not well anchored.
The evening wind made such a disturbance just now, among some tall old elm-trees at the bottom of the garden, that neither my mother nor Miss Betsey could forbear glancing that way. As the elms bent to one another, like giants who were whispering secrets, and after a few seconds of such repose, fell into a violent flurry, tossing their wild arms about, as if their late confidences were really too wicked for their peace of mind.
Last century, when the beams needed replacing, carpenters used oak trees that had been planted in 1386 when the dining hall was first built. The 14th-century builder had planted the trees in anticipation of the time, hundreds of years in the future, when the beams would need replacing. Did the carpenters plant new trees to replace the beams again a few hundred years from now?
Now the great winds shoreward blow Now the salt tides seaward flow Now the wild white horses play Champ and chafe and toss in the spray.
Maybe the American Dream is too rich for us now in the U.S. Maybe we're losing it because we are not like our Swedish grandmother who came across the plains, hacked down the trees, and took the Spanish words she encountered and made them hers. Now her great-great-grandchildren sit terrified, wondering what to do with all these Mexicans. The American Dream is an impossible affirmation of possibility. And maybe native-born Americans don't have it anymore. Maybe it has run through their fingers.
What is now the foliage moving?
Air is still, and hush'd the breeze,
Sultriness, this fullness loving,
Through the thicket, from the trees.
Now the eye at once gleams brightly,
See! the infant band with mirth
Moves and dances nimbly, lightly,
As the morning gave it birth,
Flutt'ring two and two o'er earth.
Literature is a vast forest and the masterpieces are the lakes, the towering trees or strange trees, the lovely, eloquent flowers, the hidden caves, but a forest is also made up of ordinary trees, patches of grass, puddles, clinging vines, mushrooms, and little wildflowers.
The secret island had looked mysterious enough on the night they had seen it before - but now, swimming in the hot June haze, it seemed more enchanting than ever. As they drew near to it, and saw the willow trees that bent over the water-edge and heard the sharp call of moorhens that scuttled off, the children gazed in delight. Nothing but trees and birds and little wild animals. Oh, what a secret island, all for their very own, to live on and play on.
I've watched you now a full half-hour; Self-poised upon that yellow flower And, little Butterfly! Indeed I know not if you sleep or feed. How motionless! - not frozen seas More motionless! and then What joy awaits you, when the breeze Hath found you out among the trees, And calls you forth again!
I grew up using maps and having a sense of direction, and now I have a phone. I used to try to remember numbers, and now I... can just call them up instantly. And that's great. But what's happening right now is that we're in a phase of human evolution where we're merging with machines.
I remember, I remember The fir-trees dark and high; I used to think their slender tops Were close against the sky; It was a childish ignorance, But now 't is little joy To know I'm farther off from heaven Than when I was a boy.
Before birth; yes, what time was it then? A time like now, and when they were dead, it would be still like now: these trees, that sky, this earth, those acorn seeds, sun and wind, all the same, while they, with dust-turned hearts, change only.
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