A Quote by Hampton Fancher

I wonder if these editors, why they're not writers sometimes, because they know so much about writing. — © Hampton Fancher
I wonder if these editors, why they're not writers sometimes, because they know so much about writing.
I often wonder if all the writers who are alcoholics drink a lot because they aren't writing. It is not because they are writers that they are drinking, but because they are writers who are not writing.
I sometimes wonder why I do so much research - I look at other successful writers, and I think it must just be so relaxing to write about flying horses or something, but I have to make it plausible.
Artists don't often know much about writing... but they don't bray so much about writing as writers do about art.
Most books about writing are filled with bullshit. Fiction writers, present company included, don’t understand very much about what they do—not why it works when it’s good, not why it doesn’t when it’s bad.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
I very much like writing about homosexual relations. I don't quite know why. Perhaps it's because I feel there's still so much to be said about them.
I enjoy writing, sometimes; I think that most writers will tell you about the agony of writing more than the joy of writing, but writing is what I was meant to do.
I used to want to kill myself because I had lost so much of who I knew I was because of all the other invalidation from people. It sends you spiraling where you're like, Wait, I know I have this quality, I know what my integrity is - until you're being fed all this false information about yourself. You start to wonder why. You don't feel good about yourself because you no longer believe in yourself.
I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.
I don't think about it that much, but sometimes I am surprised by that. I sometimes wonder why I didn't turn out to be the kind of picture-book writer who has stuffed animals that go with their books. That would be okay with me.
I love the resource of the Internet. I use it all the time. Anything I'm writing - for example, if I'm writing a scene about Washington D.C. and I want to know where this monument is, I can find it right away, I can get a picture of the monument, it just makes your life so much easier, especially if you're writing fiction. You can check stuff so much quicker, and I think that's all great for writers.
In TV, it's so much more about the writers because they're the ones creating the universe. The writers are the ones who know what's up.
I have always been fascinated by the human mind, conscious and unconscious - that is what writing and reading is about, too. The why of your life and the why of your choices and the what has happened that you know and the what that you don't know is really riveting, and psychoanalysts share my wonder at how it all unfolds.
I think that comes with a collaboration with the writers. I think that we get cast in edgier roles because we are a little more offbeat, so people - as we get to know the writers, and as the writers get to know us, they start to write around us more, and that's why I think the pilot is not always the best way to get to experience a new television show, because we're fitting ourselves into these characters. Whereas as the show evolves, they're writing the characters for us and for our strengths and weaknesses.
Chats are so new to newspapers, historically. But they're so incredibly valuable because editors/reporters/columnists get to find out what's on the minds of our readers, what you think we should be writing about, what ticks you off, what makes you happy. Sometimes it can confirm what you think readers are interested in; sometimes it can turn you around 180 degrees.
I sometimes wonder why I talk about Judaism so much in my act, and the reason is that it's such a huge part of who I am, and I only make fun of stuff that I care about.
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