A Quote by Hamsalekha

When K. Vishwanath made the film 'Shankarabharanam,' he wanted to bring back Carnatic classical music to mainstream. It's popularity was waning in those days. — © Hamsalekha
When K. Vishwanath made the film 'Shankarabharanam,' he wanted to bring back Carnatic classical music to mainstream. It's popularity was waning in those days.
I come from a very strenuous, strict, disciplined classical music background. My grandfather, noted Carnatic classical exponent Dr. Sripada Pinakapani, was a Padma Bhushan recipient.
My basic grammar is in Indian classical music, Carnatic music, and Hindustani music, but I don't believe that that is the only form of music I will learn. I don't believe in that, because I am a very open minded person.
Usually people like experimental music which is usually not the case in Carnatic classical concerts.
I always felt music to be universal and undifferentiated - Western classical, folk, Carnatic or Hindustani and so on.
I decided that I wanted to explore all kinds of music with my cello, not just the Western classical tradition. I just wanted to try and expand my vocabulary and bring that different kind of music to my audience.
I do not think classical music faces any threat because new music is being made through computer, as the real charm of classical is its purity, and one who is seeking purity will surely find classical music in spite of so many alternatives.
We need to bring music to the people, even to those who normally do not listen to classical music.
The concept of what I want to do as an artist has not changed at all. When I was seven years old, I fell in love with writing songs and knew I wanted to make music and play it for a lot of people. Back then I said I wanted to heal people with music and bring them together. I called my music, "PAZZ," which means pop and jazz. To this day, all of those things still ring crystal clear.
When I went to Sundance back in 1998, indie film was all the rage, and Miramax was throwing down five or six million dollars for several films each year. Those were the salad days of indie film, and those days are over. I'm not out there worrying too much about it.
[Bill] Clinton's voice, his manner of speaking and his terminology, "Back in those days... Yeah, back those days... You know, we didn't have the internet back then." My grandfather said, "Back in those days, we didn't have automobiles".
I went to school to learn guitar, solfeggio, and harmony. I wanted to know more about music, how it works. I wanted to take voice lessons, too, and that's when I discovered what I could do with my voice. At the beginning, I thought I would do classical and pop, but then I learned that I really liked the classical music.
Horse racing is waning in popularity.
I want to bring real music back but make it marketable and mainstream. To me, real music isn't everything being synthesized, computerized.
My father was able to play a number of musical instruments and I fell in love with classical music in my teens and I allowed it to influence me. I like to think I took and still do from classical music and various techniques, I have made classical albums and recorded seven different pieces of Bach on different albums and its all music too me.
Ilaignan,' the script of which has been penned by Chief Minister M Karunanidhi, is a period film that is set in the romantic era of classical music. You will find Western classical music mixed with our Indian melodies.
I wanted to make an album where every song is kind of interacting - where you can't tell what's the string arrangement and what's the song. I guess that came out of going to college, majoring in music, studying classical music, and even as a kid, being really drawn to classical music.
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