A Quote by Hanan al-Shaykh

The desert came into view ... sand and palm trees, a way of life that revolved around human beings without possessions or skills, who had to rely on their imaginations to contrive a way of making their hearts beat faster or even to keep them at a normal pace; to search unaided for a hidden gleam of light, and to live with two seasons a year instead of four.
When we live without listening to the timing of things, when we live and work in twenty-four-hour shifts without rest – we are on war time, mobilized for battle. Yes, we are strong and capable people, we can work without stopping, faster and faster, electric lights making artificial day so the whole machine can labor without ceasing. But remember: No living thing lives like this. There are greater rhythms, seasons and hormonal cycles and sunsets and moonrises and great movements of seas and stars. We are part of the creation story, subject to all its laws and rhythms.
That's what it's all about - making art is making something live forever. Human beings especially - we can't hold on to them in any way. Painting and art is a way of holding onto things and making things go on through time.
Even in the face of tragedy, human beings need to find a way to laugh. It's normal. It's life.
If this practice [of totalitarianism] is compared with […] [the desert] of tyranny, it seems as if a way had been found to set the desert itself in motion, to let loose a sand storm that could cover all parts of the inhabited earth. The conditions under which we exist today in the field of politics are indeed threatened by these devastating sand storms.
I think that's life in general. It's the way it is when we pick stocks, all of them don't always work, so I guess I come to the view naturally. That's just the way life is for human beings so its going to be just as true for policy.
We are deep into the year of the dragon and all around the intensity of the collective pushes forward to a new age. The pieces and parts, the far-flung shades of life that make our hearts beat faster are starting to coalesce directly to the source.
We now live in an amazing digital world, and television is firmly part of that brave new world. Television is still the way to reach the most citizens and talk to them – and with them - about how the EU affects their lives. It's still the way to bring people together – to laugh, to debate, to learn. In a world that takes a faster and faster pace, it is nice to know you can slow down once in a while with a good TV programme.
In the desert the detachment of life from all normal intercourse imparts a sense of gravity to every rencontre, and each touch with human beings is fraught with a significance lacking in the too hurried intercourse of ordinary everyday life. On the desert track, there is no such thing as a casual meeting.
I don't think there's one right way to do anything. There's no one best way to be a woman. There's no best way to be a mentor. I'm just trying to be me and be authentic and live my truth and be as inclusive and interested in other human beings as possible. I'm an actor by training, which means that I study human beings and human behavior. That's what I try to do and what I love to do.
Keep moving forward, even one or two steps, in your own way. Those who live out their lives to the fullest, unperturbed by the noisy clamor around them, are the true winners.
You cannot live sheltered forever without being exposed, and at the same time be a spiritual adventurer. Be audacious. Be crazy in your own way, with that madness in the eyes of man that is wisdom in the eyes of God. Take risks, search and search again, search everywhere, in every way, do not let a single opportunity or chance that life offers pass you by, and do not be petty and mean, trying to drive a hard bargain.
This is why we shouldn't be afraid. There are two possibilities: One is that there's more to life than the physical life, that our souls "will find an even higher place to dwell" when this life is over. If that's true, there's no reason to fear failure or death. The other possibility is that this life is all there is. And if that's true, then we have to really live it - we have to take it for everything it has and "die enormous" instead of "living dormant," as I said way back on "Can I Live." Either way, fear is a waste of time.
I valued the experience of making the recordings, and I value the performances contained therein, and I value so much of what they can represent. I also think they're a terrific listening experience. Putting them out this way was a way of trying to maintain and nurture the relationship with the audience and also shine a light on the recent past, because we are so apt to be forgetful as human beings that there was such a thing as a recent past. These are some of the reasons for making this record.
She found out that having something to do prevented you from feeling seasick, and that even a job like scrubbing a deck could be satisfying, if it was done in a seamanlike way. She was very taken with this notion, and later on she folded the blankets on her bunk in a seamanlike way, and put her possessions in the closet in a seamanlike way, and used 'stow' instead of 'tidy' for the process of doing so. After two days at sea, Lyra decided that this was the life for her.
We players are as normal human beings as anyone else, and we also have the right to live a normal life. I don't understand why people talk so much about the way we dress up, how we walk, what we eat, and every little detail of ours. Players are the real heroes. Sports have both respect and fame, and I am fortunate enough to be a sportsperson.
This time of year, I live and breathe the beach. My cheeks feel raw with the wind throwing sand against them. My thighs sting from the friction of the saddle. My arms ache from holding up two thousand pounds of horse. I have forgotten what it is like to be warm and what a full night’s sleep feels like and what my name sounds like spoken instead of shouted across yards of sand. I am so, so alive.
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