A Quote by Hank Aaron

Once the record was mine, I had to use it like a Louisville Slugger. I believed, and still do, that there was a reason why I was chosen to break the record. I feel it's my task to carry on where Jackie Robinson left off, and I only know of one way to go about it. It's the only way I've ever had of dealing with things like fastballs and bigotry -- keep swinging at them.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way. That is what is fun for me.
The Independent Record Store is the reason why i STILL do music...It seems like they're the only ones that Really care about the real music lovers...we need them...they're our balance to all of the music we are FORCED to listen to...they're the only ones that may still suggest something NEW and FRESH instead of just what's popular.
I found a Bill Evans record in the bookcase and was listening to it while drying my hair when I realized that it was the record I had played in Naoko's room on the night of her birthday, the night she cried and I took her in my arms. That had happened only six months earlier, but it felt like something from a much remoter past. Maybe it felt that way because I had thought about it so often-too often, to the point where it had distorted my sense of time.
I had a good record company right from the beginning, and I'm still with them after all these years. I think I may be the only person in the world that's had a tenure this long with any record company.
I ask myself all the time, 'Why keep doing this?' If I wasn't exploring or finding something to write about that was personal or meant something, there'd be no reason. If I was ever making a record just to make a record, or ever just like, 'Just put something out there that someone will buy,' I would quit.
If I'm reviewing a record, man, I play that record to death, which is ironic in a way because if I review a concert I feel very confident in myself, certainly at this point, and have for most of my career. You're only hearing it once and then you go to your typewriter and you write the review.
I never, ever had it in my mind that I wanted to be in the record industry, because I still contend that the record industry is an insidious affair. It's this terrible collision between art and commerce, and it will always be that way.
I never want to feel complacent, and I had started to, a little bit. I had started to feel like "I have this thing I can do, it's worked a few times," but not only does that get boring, but you feel stagnant and unproductive. So I was feeling a lack of creativity and motivation, so I started making a more conscious choice to grow personally. It wasn't even an image-conscious thing, like, "I don't want people to think this way about me." It was really just a way to keep myself energized and feel excited about this thing I love doing. Like I went to couples therapy or something.
A lot of overdubs from the last couple of records had to do with me being insecure about the way my voice sounds or the way I play guitar. I would want to mask it with extra things, or keep every moment super exciting. With the newest record, I tried my best to back off, and if something wasn't interesting at every moment, or if my voice didn't sound that good, just let it go and accept it.
We were poor [with my mother], and we didn't have too much. So we sat on the floor and we had a record player, and that's all we had in that room in the apartment. But we had whatever we had. Six records and a record player and it seemed like magic. Seven or eight years old, you know.
What people generally tell you is, "We'll all agree," and then once you sign, they expect to get their own way. I think it was a bit of a surprise that I was still very headstrong even after signing. I wasn't so happy to get a deal that I would agree to anything. In fact, I disagreed on most things and got my way on most things, which I think was to all of our benefit. But they wanted the record to come out, and I wanted the record to come out, so we had to work together.
My process is always the same. Maybe that's why I stay so consistent, it really doesn't change. I only know one way to record and do things.
The idea that somebody out there is that eager to hear my music in advance can only be a good thing. But growing up, I always liked that system where "release day" was a big thing, and for bands I really liked, I'd know that date. It'd be on my calendar, and I'd go to the record store that day. Sitting down and listening to the record for the first time was a real event. I wish it was still that way, but that's not the way the world works any more.
Tottenham I really enjoyed the first year, and by the time I left we had almost as many points as in the season before when we broke the points record. But these are things that people don't evaluate, only I know about.
You ask me if I keep a notebook to record my great ideas. I've only ever had one.
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