A Quote by Hank Aaron

I looked for the same pitch my whole career, a breaking ball. All of the time. I never worried about the fastball. They couldn't throw it past me, none of them. — © Hank Aaron
I looked for the same pitch my whole career, a breaking ball. All of the time. I never worried about the fastball. They couldn't throw it past me, none of them.
Everybody here has the ability to throw a fastball down and away or throw a breaking ball in the dirt for a swing and a miss. But are we able to stay in that moment and understand what we're trying to accomplish and see it in our mind before we execute and then make the pitch?
I love the slider. I'll throw it anytime. It helps the curve. The last five feet, it dives toward the left-handed hitter's box. It's a pitch that looks like a fastball coming in. It's a pitch I throw when I need a ground ball with a man on base.
Ken Holtzman could pitch a game in ninety minutes. Wouldn't throw a breaking ball. And he had a great breaking ball.
I'm the kind of guy who, if I look inside and they throw me a fastball outside, and it's a strike, I'm going to swing. Everything in the strike zone, I'm going to swing. Doesn't matter if it's a fastball, changeup, breaking ball. If it's in the strike zone and it's something you like, you've got to swing.
I never knew how to throw a fastball, never learned how to throw a curveball, a slider, split-finger, whatever they're throwing nowadays. I was a one-pitch pitcher.
If a pitcher goes up there and he's throwing a ball and it's a breaking ball down and away or a fastball up and in, a perfect pitcher's pitch, and you're able to just foul it off and stay alive in the at-bat, just keep grinding, keep working through the at-bat and hoping for that mistake that he's going to make. And if he doesn't, then you walk.
What I say about actors is you always want to find an actor you can play ball with. You throw the ball at them and you want them to throw it back. Your ball playing is a lot better when you play with good ballplayers, like any sport. Every actor I know feels the same way.
You can see the ball go past them, or the man, but you'll never see both man and ball go past at the same time. So if the ball goes past, the man won't, or if the man goes past they'll take the ball.
I'm pretty proud of my fastball. I can throw a screwball. It's not as accurate, and I don't have the velocity like I do with my fastball, but I think my fastball is not too shabby.
I was short with my fastball and breaking ball.
It's better to throw a theoretically poorer pitch whole-heartedly, than to throw the so-called right pitch with feeling of doubt-doubt that's it's right, or doubt that you can make it behave well at that moment. You've got to feel sure you're doing the right thing-sure that you want to throw the pitch you're going to throw.
I trust that I can hit a fastball, that I can hit any pitch they throw to me.
I feel like a pioneer with the split-fingered fastball. I was the first one to really throw it pretty much 100 percent of the time. It was a pitch that I had to have. If I didn't have it, I wouldn't have been in the big leagues.
I may be wearing makeup, but I can throw a fastball by you at the same time.
Everybody wants to know, 'How do you throw a curveball, how do you throw a slider, how do you throw this and that,' when they can't even locate a fastball. Learn how to control your fastball and then once you've got that, move on to other things.
People have assumed that I have to run the ball before I can throw it most all of my career, all the way back before high school. It's a stereotype put on me for a long time because I'm African-American and I'm a dual-threat quarterback. I don't know why that stereotype is still around. It's about talent and the ability to throw the ball, not the color of your skin or your ability to also be a dangerous runner.
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